Martha Marcy May Marlene (Sean Durkin, 2011). The debut feature from director Sean Durkin takes a fraught subject and increases its power with shrewd understatement. The film opens as Martha (Elizabeth Olsen) flees a commune-like rural homestead, seeking assistance, with … Continue reading Then Playing — Martha Marcy May Marlene; Personal Shopper; Cleo from 5 to 7
La Pointe Courte (Agnès Varda, 1955). Three years before Claude Chabrol’s Le Beau Serge, the film usually cited as the beginning of the French New Wave, Agnès Varda delivered this film that certainly flaunts a lot of the hallmarks of … Continue reading Playing Catch-Up — La Pointe Courte; Boy Erased; Stan & Ollie
Vagabond (Agnès Varda, 1985). Varda’s sedate, stirring drama follows a young itinerant woman, paying special attention to the variety of ways society expresses its disdain for her. To a degree, it’s because of her place on the tattered fringe of the social structure, but a remarkable amount of the pain she endures is provoked by her gender rather than her place in class culture. She’s used, dismissed and disregarded repeatedly. Sandrine Bonnaire is evocative and moving in the leading role, clearly investing deep feeling into the performance. It would be easy for the film to lapse into woeful melodrama, but … Continue reading Burnett, Roach, Singer, Smith, Varda
Coffee for Two 