Kubrick, Kurosawa, Robbins and Wise, Rydell, Wilder

Harry and Walter Go to New York (Mark Rydell, 1976). A colleague of mine at Spectrum Culture wrote about this nostalgic caper comedy a while back, calling it “a delightful farce of a film.” Not really, but it’s surely an oddball relic of the era when nineteen-seventies adventurism gave way to self-defeating excess. Clearly inspired by (and given its greenlight due to) the smashing success of George Roy Hill’s The Sting a few years earlier, the film casts Elliott Gould and James Caan as a pair of hackneyed vaudevillians in the late nineteenth century who get caught up in a … Continue reading Kubrick, Kurosawa, Robbins and Wise, Rydell, Wilder

Bailey and Barbato, Bogdanovich, Herzog, Kurosawa, Margolis

Stroszek (Werner Herzog, 1977). There’s certainly no reason to expect anything less than inspired lunacy from a Werner Herzog movie, especially one he made back in the nineteen-seventies when thew rules of cinema were falling away like worn paint from a waterlogged wall. Stroszek follows a German man whose perilous romance with a prostitute causes him to move with her and his elderly neighbor to, of all places, rural Wisconsin. From there, Herzog’s examination of the general travails of the downtrodden trying to forge better lives takes on the added harsh tinge of the false promise of the American dream … Continue reading Bailey and Barbato, Bogdanovich, Herzog, Kurosawa, Margolis