I recently watched the 1979 film Real Life, the first feature directed by Albert Brooks. There’s plenty to say about it as a film and a comedy, especially in light of its retroactive relevance as a satire of reality-based filmmaking in a programming era in which no city’s pampered, appalling self-absorbed housewives are safe from the profitable scrutiny of Bravo’s fleet of cameras. Separate from the facets that are the usual fodder for cinematic analysis, I found something particularly striking. At two completely different points, Brooks uses the word “abortion” in punchlines. Indeed, in the second instance, the word is … Continue reading Strong and warm and wild and free