Now Playing — Mickey 17
Bong Joon-ho’s long-awaited Parasite follow-up is a characteristically inventive and cynical work Continue reading Now Playing — Mickey 17
Tag: bong joon-ho
Top Fifty Films of the 10s — Number Thirteen
#13 — Parasite (Bong Joon-ho, 2019) Looking back, it’s remarkable that Bong Joon-ho’s Parasite was the first foreign language film to claim the Academy Award for Best Picture. There’s first the oddity that no film reliant on subtitles to reach … Continue reading Top Fifty Films of the 10s — Number Thirteen
Top Fifty Films of the 10s — Number Twenty-Eight
#28 — Snowpiercer (Bong Joon Ho, 2013) Most of the films of director Bong Joon Ho have been wholly original works, suffused with inspiration drawn from serious study of film, perhaps, but springing start to finish from his whirring brain. … Continue reading Top Fifty Films of the 10s — Number Twenty-Eight
Top Ten Movies of 2019 — Number Three
Bong Joon-ho has the panache of a master showman and the cunning of a regime-toppling agitator. His films are trenchant commentary gussied up into inspired entertainments, impressing as dervishes of audacity. Parasite, representing Bong’s return to South Korean filmmaking after … Continue reading Top Ten Movies of 2019 — Number Three
Now Playing — Parasite
At the beginning of Parasite, the new film from director Bong Joon-ho, the Kim family is so far down on the economic ladder that they’re literally underground. Their cramped, cluttered apartment is in the basement of a South Korean urban … Continue reading Now Playing — Parasite
Now Playing: Okja
The title character of the new film Okja is a “super-pig.” In the bizarre, futuristic (though set in modern-day) vision of writer-director Bong Joon-Ho, an American corporation launches a publicity stunt competition to have odd, porcine animals — supposedly discovered in Chile, though that assertion is suspect from the jump — raised by individuals scattered all across the globe. After a decade, the creatures are to be evaluated in a glorified pageant before beings added to the assembly line of food production. Bong renders his story at a mad careen that resembles an inability to entirely setting on a general … Continue reading Now Playing: Okja
Top Ten Movies of 2014 — Number Four
Snowpiercer achieves remarkable narrative freedom precisely because director Bong Joon-ho believes in sticking to the rules. Other films that strive for thrill ride status, either in terms of vividly stirred intellect or full-throttled action (Snowpiercer is one of the rare beasts that goes for both), are all too quick to abandon internal logic when it serves the perceived need to set pulses pounding with clockwork regularity. Bong understands the value of setting parameters — maybe your own wonderfully gonzo parameters, but parameters nonetheless — and then honoring them. A movie doesn’t have to be believable to be plausible. It can … Continue reading Top Ten Movies of 2014 — Number Four
Everyone’s happy, they’re finally all the same, ’cause everyone’s jumping everyone else’s train
Snowpiercer, the new film from director Bong Joon-ho, is ravishingly bonkers. Based on a French comic book saga, the film presents a future vision of the world plunged into permanent, uninhabitable winter, a result of overcompensation in the battle against … Continue reading Everyone’s happy, they’re finally all the same, ’cause everyone’s jumping everyone else’s train
You can stand up or you can run, you and I both know what you’ve done
Writer-director Bong Joon-ho’s follow-up to the splendid creature feature The Host finds him moving from the realm of Ishiro Honda to that of Alfred Hitchcock. It could be argued that he’s still tracking monsters and assessing the damage that they … Continue reading You can stand up or you can run, you and I both know what you’ve done
Coffee for Two 