Epstein, Greno and Howard, Nichols, Penn, Rush

Carnal Knowledge (Mike Nichols, 1971). Working from a script by by the great cartoonist Jules Feiffer, Mike Nichols explores the fraught, shifting dynamics of sexual relationship by following a few characters over the course of several years, putting special focus on a randy, rambunctious, sharp-edged man played by Jack Nicholson. The movie may have been most noted for it’s frankness about sexual matters, still remarkable for the time, but it remains engaging because of an even bolder willingness to plumb the emotional rigors of the various characters. Nicholson is especially strong, shrewdly carrying his character from an impetuous, greedy youth … Continue reading Epstein, Greno and Howard, Nichols, Penn, Rush

Howard and Williams, Kazan, Mamet, Penn, Weber

The Missouri Breaks (Arthur Penn, 1976). The film has Marlon Brando at the very beginning of his anything goes, deliberate insanity phase, and Jack Nicholson still wrapped in the energy of his wild genius phase (this film arrived in theaters almost exactly six months after One Flew Over the Cuckoo’s Nest, and just a couple months after he won his first Oscar). It’s a revisionist western, a style and genre that Arthur Penn had done quite well with a few years earlier. All this makes it equal parts surprising and sad to report that the resulting film is drab. The … Continue reading Howard and Williams, Kazan, Mamet, Penn, Weber