Decision to Leave (Park Chan-wook, 2022). Working from a script he co-wrote with Jeong Seo-kyeong, Park Chan-Wook meticulous crafts a sly modern noir. Jang Hae-jun (Park Hae-il) is a police detective with a keen dedication to his work and a … Continue reading Then Playing — Decision to Leave; The Wonder; Fun with Dick and Jane
Guillermo del Toro’s Pinocchio (Guillermo del Toro and Mark Gustafson, 2022). It’s seem a fine idea for Guillermo del Toro to channel his enduring fascinating for grim fairy tales into a stop-motion animation take on the little wooden boy created … Continue reading Then Playing — Guillermo del Toro’s Pinocchio; Violent Night; The Fabelmans
She Said (Maria Schrader, 2022). This journalism procedural is adapted from Jodi Kantor and Megan Twohey’s book of the same name which recounted their pursuit of the blockbuster New York Times story that exposed years of sexual predation by producer … Continue reading Then Playing — She Said; The Corn Is Green; Aftersun
Dementia 13 (Francis Ford Coppola, 1963). The first feature directed by Francis Ford Coppola is miles away from the elegant import of The Godfather and other more esteemed entries on his filmography. Made within the confines of Roger Corman’s scrappy … Continue reading Then Playing — Dementia 13; Emily the Criminal; Goodbye Again
The Sheepman (George Marshall, 1958). This Western stars Glenn Ford as Jason Sweet, a deceptively genial schemer who shows up in a ranching town with a herd of sheep he plans to graze on public land, much to the consternation … Continue reading Then Playing — The Sheepman; Hangmen Also Die!; Don’t Worry Darling
Stop-Loss (Kimberly Peirce, 2008). There was nearly a ten-year gap between Kimberly Peirce’s sensational feature debut, Boys Don’t Cry, and her follow-up, Stop-Loss, which is presumably indicative of the ridiculously difficult time female filmmakers have bringing projects to fruition. Stop-Loss … Continue reading Then Playing — Stop-Loss; Gilda Live; Winter Meeting
California Suite (Herbert Ross, 1978). Adapted by Neil Simon from his 1976 play of the same name (a sequel to the 1968 hit Plaza Suite), this comedy sets a posh Los Angeles hotel as its home base. A series of … Continue reading Then Playing — California Suite; Good Time; Beyond a Reasonable Doubt
Stillwater (Tom McCarthy, 2021). Stillwater is a fascinating hybrid. It begins and ends like a more realistic, sober-minded riff on one of Liam Neeson’s Taken or Taken-adjacent movies, with a Oklahoma roughneck in place of a well-trained oak tree with … Continue reading Then Playing — Stillwater; Platoon; Freebie and the Bean
The Slumber Party Massacre (Amy Holden Jones, 1982). Released in the heady days after John Carpenter’s Halloween made studios decide that the surest bet for quick cash was conveyor-belting out films featuring weapon-wielding maniac picking off teens one by one, … Continue reading Then Playing — The Slumber Party Massacre; The Fog; Barbarian
Friday Foster (Arthur Marks, 1975). Based on a comic strip written by Jim Lawrence and drawn by Jorge Longarón that ran in the first half of the nineteen-seventies, Friday Foster features Pam Grier in the title role, a photojournalist who … Continue reading Then Playing — Friday Foster; Tokyo Joe; The Return of Doctor X
