T2 Trainspotting (Danny Boyle, 2017). From the moment it was announced, director Danny Boyle’s choice to develop a sequel to his breakthrough film, Trainspotting, struck me as highly suspect, a seemingly desperate creative retreat for a filmmaker whose recent projects — … Continue reading Playing Catch-Up — T2 Trainspotting; Game Night; RBG
Crime of Passion (Gerd Oswald, 1957). This sordid little number casts Barbara Stanwyck as Kathy Ferguson, a San Francisco advice columnist who abandons her career after falling love with and marrying a Los Angeles police lieutenant (Sterling Hayden). It turns … Continue reading Playing Catch-Up — Crime of Passion; They Live By Night; The V.I.P.s
The Deadly Affair (Sidney Lumet, 1967). Only the second film adaptation of a John le Carré work (it’s based on his novel Call for the Dead, although rights reasons prevented the studio from using its main character George Smiley), this … Continue reading Playing Catch-Up — The Deadly Affair; Dear Ruth; Breathless
Ugetsu (Kenji Mizoguchi, 1953). Drawn from stories in the eighteenth century collection Ugetsu Monogatari, by Ueda Akinari, Kenji Mizoguchi’s film proceeds like a hazy dream that’s periodically jarred into wakefulness by jolts of pointed pragmatism. Set in the time when earning … Continue reading Playing Catch-Up — Ugetsu; Robin Williams: Come Inside My Mind; Valerie and Her Week of Wonders
Justice League (Zack Snyder, 2017). Where to even begin with this rambling monstrosity? There’s so much to loathe in this desperate attempt to replicate the success of the Marvel movie model by the company’s distinguished competition in the realm of … Continue reading Playing Catch-Up — Justice League; The Tale; A Monster Calls
Ocean’s Eight (Gary Ross, 2018). In concept, this stab at reviving the Ocean’s heist film franchise is clever, especially in the way it reshapes the fundamentals to reflect the gender-swapped crew. Maybe it relies on stereotypes, but I like the … Continue reading Playing Catch-Up — Ocean’s Eight; Only the Brave; Brigsby Bear
A Quiet Place (John Krasinski, 2018). Writer-director John Krasinski’s horror film about sonically-attuned, carnivorous creatures is a splendid analogy for the anxieties of child-rearing. It’s also wildly implausible within the confines of its own fictional world, largely because the threats … Continue reading Playing Catch-Up — A Quiet Place; All Fall Down; New Wave: Dare to Be Different
Devil’s Doorway (Anthony Mann, 1950). This nail-tough western from the heart of Anthony Mann’s career (released the same year as Winchester ’73) boldly examines vicious bigotry against Native Americans at a time when most Hollywood Westerns still cheerily trafficked in … Continue reading Playing Catch-Up — Devil’s Doorway; Split; Isle of Dogs
The Hero (Brett Haley, 2017). Brett Haley conceived of this character study after working with Sam Elliott on a previous effort. The genesis of the project is clear in the finished product, if only because there’s barely any purpose beyond … Continue reading Playing Catch-Up — The Hero; Paddington 2; Deepwater Horizon
A United Kingdom (Amma Asante, 2016). It’s almost jarring to see a modern movie as staid in its dramatization of noble societal perseverance as A United Kingdom. Based on real history, the film follows the heartbreaking travails of Seretse Khama … Continue reading Playing Catch-Up — A United Kingdom; Downsizing; Girls Trip
