Tag: catch-up reviews

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Assayas, Berg, Cassavetes, Chressanthis, Derrickson

Dan Seeger

Deliver Us From Evil (Amy Berg, 2006). Amy Berg’s challenging, often painful documentary tracks the damage done by a Catholic priest who was quietly shuttled to different churches in the same general region of California whenever accusations of sexual assault emerged, an occurrence that was tragically commonplace from the late nineteen-seventies through to the early nineties. With a methodical, thoughtful approach, Berg illustrates the ways in which the priest exploited the automatic trust his parishioners gave him, and, more damningly, the craven indifference the church leadership had to confronting the problem in any meaningful way. Berg’s portrait of the priest, … Continue reading Assayas, Berg, Cassavetes, Chressanthis, Derrickson

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Capra, Hopkins, Kieslowski, Lee, Pichel

Dan Seeger

Summer of Sam (Spike Lee, 1999). Lee certainly wasn’t lacking in ambition with this film. It depicts the sweltering New York summer of 1977, marked by an ascendant Yankees ballclub, record-setting heat, and paralyzing fear over the unpredictable Son of Sam serial killer. Bringing his own distinctive flourishes to a screenplay by actor friends Victor Colicchio and Michael Imperioli, Lee piles more story and heavy import than just about any film could bear. Discotheques and punk rockers, gritty urban newscasts and brash bellowing neighborhoods, and it quickly collapses under its own weight. As with all of his more compromised efforts, … Continue reading Capra, Hopkins, Kieslowski, Lee, Pichel

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Ephron, Hunt, Kieslowski, Kieslowski, Tykwer

Dan Seeger

Three Colors: Blue (Krzysztof Kieslowski, 1993). The first film in Kieslowski’s famed Three Colors trilogy stars Juliette Binoche as a woman dealing with the recent death of her famous husband and young daughter in a car crash. She retreats from the world, getting drawn back only reluctantly, in part due to interest and controversy over her spouse’s last, incomplete work. There’s tremendous thematic heft in the work, with the specter of mortality drawn over the entire work, enhanced by the sense of all the ways in which life itself drifts away from us. Binoche is moving and insightful in her … Continue reading Ephron, Hunt, Kieslowski, Kieslowski, Tykwer

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Cassavetes, Dick, Donaldson, Frankel, Mottola

Dan Seeger

Adventureland (Greg Mottola, 2009). Clearly Greg Mottola decided the Superbad path was the one to follow. He edges ahead a few years, focusing on college-aged youth who are all spun around by their romantic anguish and general horniness. Noticeably autobiographical in nature, the film is set in the late nineteen-eighties and features Jesse Eisenberg as a bright young man whose plans for graduate school are derailed causing him to seek summer work at the crummy amusement park in his hometown. It’s amusing enough, but also shaggy to the point of being aimless. Nothing sticks beyond the suspicion that Kristen Stewart … Continue reading Cassavetes, Dick, Donaldson, Frankel, Mottola

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Cassavetes, Gilroy, Jarrold, Martin, Park

Dan Seeger

Duplicity (Tony Gilroy, 2009). Gilroy’s follow-up to Michael Clayton is a smart, witty film that uses corporate espionage as a backdrop for a creative romantic comedy. Julia Roberts and Clive Owen play a pair of former spies who use their background to gain entry to the incredibly sophisticated security divisions of dueling pharmaceutical companies, weaving an elaborate moneymaking scam they plan to implement from within. Gilroy’s script is dense and complicated, but always clear, and provides the two leads with ample opportunity to show how movie star charisma can be mixed with shrewdly insightful acting to build great performances. Roberts … Continue reading Cassavetes, Gilroy, Jarrold, Martin, Park

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Demme, Gibney, Macdonald, Redford, Siegel

Dan Seeger

The Agronomist (Jonathan Demme, 2003). I greatly admire Demme’s commitment to interspersing documentaries and other non-fiction offerings throughout his filmography, but I also need to sadly concede that this is not a strong effort. The film examine the life and contentious career of Jean Dominique, who operated a Haitian radio station committed to bringing information to the citizenry and speaking truth to power, especially during times when the country was being crushed by oppressive regimes. It’s easy to root for him, but Demme’s approach is too sedate, too withdrawn. This impassive approach prevents the film from becoming anything beyond a … Continue reading Demme, Gibney, Macdonald, Redford, Siegel

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Howard and Williams, Kazan, Mamet, Penn, Weber

Dan Seeger

The Missouri Breaks (Arthur Penn, 1976). The film has Marlon Brando at the very beginning of his anything goes, deliberate insanity phase, and Jack Nicholson still wrapped in the energy of his wild genius phase (this film arrived in theaters almost exactly six months after One Flew Over the Cuckoo’s Nest, and just a couple months after he won his first Oscar). It’s a revisionist western, a style and genre that Arthur Penn had done quite well with a few years earlier. All this makes it equal parts surprising and sad to report that the resulting film is drab. The … Continue reading Howard and Williams, Kazan, Mamet, Penn, Weber

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Apted, Ashby, Cammisa, Green, Soderbergh

Dan Seeger

Snow Angels (David Gordon Green, 2008). A grim, atmospheric drama about people living small, desolate lives and the way a family tragedy accentuates the levels of their dismay to such a point that bad choices begin to take over. Green handles the film with an elegant restraint that sometimes veers close to bloodlessness, but overall gives it a hard, tense sheen. Adapted from a novel, the film sometimes feels as though it’s missing out on the deeper psychological understanding that’s far easier to realize on the page than on the screen. It offers up nice actorly moments for Sam Rockwell … Continue reading Apted, Ashby, Cammisa, Green, Soderbergh

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Theatre goddess, film destroyer, New York girls are sure to enjoy her

Dan Seeger

The Women (Diane English, 2008). This remake of the 1939 George Cukor-directed comedy had been in development for so long that I swear we reported on it on the movie review radio show I co-hosted in college. That show ended in 1993. Watching the finished product, it’s easy to understand what inspired the reluctance. Similarly, the easiest explanation for the project finally coming to fruition is sheer attrition: Diane English must have simply outlasted the studio execs with sounder taste. As nice as it is to see the rarity of a movie filled with female characters, it would be nicer … Continue reading Theatre goddess, film destroyer, New York girls are sure to enjoy her

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A new-wave Hollywood where everybody’s good but not great

Dan Seeger

Throne of Blood (Akira Kurosawa, 1957). You probably don’t need me to tell you this is masterful. Kurosawa’s adaptation of Macbeth is raw, muscular, urgent. Revisioning it to accommodate samurai doesn’t deepen or otherwise change the story in any dramatic way. It really just winds up being a different way to tell it, letting the natural power of the story emerge. (Sometimes this sort of thing can get tripped up by its own trickiness, even when well done like the version of Richard III starring and partially orchestrated by Ian McKellen.) Toshiro Mifune brings exactly the right intensity to the … Continue reading A new-wave Hollywood where everybody’s good but not great