Well can’t you see me standing here, I’ve got my back against the record machine
At some point, the meta magic of filmmakers Phil Lord and Christopher Miller is going to wear so thin it can’t hold up a flimsy excuse for a movie concept, but the inevitable erosion hasn’t happened yet. Mere months after their astonishing and daring subversion of the corporate synergy movie model turned The Lego Movie into the most unlikely critical hit in ages (the film’s commercial success, while more impressive than expected, wasn’t exactly in doubt) they’ve returned with a sequel to 2012’s television show adaptation 21 Jump Street, itself a headlong dive into the rabbit hole of mocking self-awareness. … Continue reading Well can’t you see me standing here, I’ve got my back against the record machine