#19 — Blue Valentine (Derek Cianfrance, 2010) Michelle Williams carries the weight of a weary life like few of her acting contemporaries. She’s been called upon to portray misery so often that it is all too easy to forget how … Continue reading Top Fifty Films of the 10s — Number Nineteen
Sabotage (Alfred Hitchcock, 1936). My instinct is to refer to this as an early Alfred Hitchcock film, but he was a decade and almost two dozen films into his career by this point. What’s more, this was released the year after The 39 Steps, so while Hitchcock may not have been The Master yet, he was a seasoned, skilled and respected filmmaker already. This was toward the end of the run of his British-made films, and there’s a certain added restraint–even somewhat pedestrian quality–to the narrative about a terrorist group staging bombings around London. It notably adheres to all of … Continue reading Cianfrance, Hitchcock, Levine, Sonnenfeld, Zinnemann
It can be reasonably argued that the most fragile points of a relationship occur at the beginning and the end. Of course, the end is obvious: whatever rifts and strains existed have reached the point of devastating rupture, and every … Continue reading Top Ten Movies of 2010 — Number Four
This simple way to describe Derek Cianfrance’s Blue Valentine is that its about both ends of a relationship: the beginning that’s full of promise and inspiration, and the ending that is like a crushing blow delivered over and over again. … Continue reading It’s the tattooed broken promise that I hide beneath my sleeve
Coffee for Two 