Baker, Black, Bloom and Stevens, Dieterle, Howard

Bright Lights: Starring Carrie Fisher and Debbie Reynolds (Alexis Bloom and Fisher Stevens, 2016). This feather-light documentary is mostly valuable in its accidental ability to fulfill the the heartsick desire for affectionate remembrances of Carrie Fisher and Debbie Reynolds following their deaths in December, shockingly arriving with the crack dramatic timing of a veteran pair of performers. Directors Alexis Bloom and Fisher Stevens occasional approach insightful examination of the scalding heat endured by those helplessly drawn to the spotlight, but their hearts don’t really seem invested in probing too far into darker corners. The film might have only a modest purpose, … Continue reading Baker, Black, Bloom and Stevens, Dieterle, Howard

Klores and Stevens, Schrader, Toback, Wyler, Zonca

Blue Collar (Paul Schrader, 1978). Two years after the breakthrough success of Taxi Driver, which he scripted for Martin Scorsese, Paul Schrader made his directorial debut with a film about struggling auto workers who battle their callous bosses, inept union heads and ultimately each other. As should probably be expected from Schrader, especially at this point in his career, the film is raw and potent, getting into the muscular, profane urgency of these men as they struggle to accept their lot in life, including the inherent betrayals of principle that come with any efforts at upward mobility, and the dangers … Continue reading Klores and Stevens, Schrader, Toback, Wyler, Zonca