From the Archive: Hero and Mr. Baseball

When I wrote reviews for The Pointer, the student newspaper at the University of Wisconsin-Stevens Point, I typically focused on a pair of films, doing my level best to thematically tie them together. As my rudimentary explanation of auteur theory here makes clear, there were plenty of instances when my attempts yielded strained results. The artistic success or failure of a film is often attributed chiefly to the director. Despite the acknowledged importance of fine writing and convincing acting, the director shoulders the majority of criticism because it is their job to tie everything together and strengthen the weak spots. … Continue reading From the Archive: Hero and Mr. Baseball

Top Fifty Films of the 80s — Number Forty-Eight

#48 — Roxanne (Fred Schepisi, 1987) No matter what snap judgments observers may have made about him when he rose to fame in the nineteen-seventies by making balloon animals and wearing arrow-through-the-head apparatuses, Steve Martin has classic, refined tastes. It’s not just in the acquisition of art–a topic in which Martin is extremely well-versed, although New York City audiences apparently have no interest in his insights. For example, when penning his first solo screenplay after serving as one of the contributing writers on most of his prior comedies, Martin looked to a work no less venerable than the 1897 Edmond … Continue reading Top Fifty Films of the 80s — Number Forty-Eight