Cretton, Hood, Kanin, Minnelli, Sturges

Next Time I Marry (Garson Kanin, 1938). The earliest film that gave Lucille Ball star billing casts her as bratty heiress who needs to marry the right man to secure her inheritance, the sort of dilemma that only exists in the movies. Arriving a few years after It Happened One Night, the film is transparently a riff on the Frank Capra hit, with Ball’s entitled scold being tamed by the regular joe (James Ellison) she impulsively weds to get her money. They road trip across the country in a race to secure an annulment, director Garson Kanin staging everything with … Continue reading Cretton, Hood, Kanin, Minnelli, Sturges

Fraker, Hood, Wilder, Yeatman, Zinnemann

Stalag 17 (Billy Wilder, 1953). This unlikely comedy set in a Nazi prison camp has a more famous echo that showed up on CBS around twelve years later. It’s not hard to see why someone might think this could turn into a nifty recurring show. The hook about prisoners of war who’ve cooked up their own unique society in captivity, complete with schemes to dupe the guards and cobbled together contraptions to better hide their small luxuries, is further enlivened by the colorful nature of the characters, a common result when Wilder’s is one of the names on the screenplay. … Continue reading Fraker, Hood, Wilder, Yeatman, Zinnemann