Then Playing — The Battle of Algiers; Recorder: The Marion Stokes Story; Sleepwalking Land

The Battle of Algiers (Gillo Pontecorvo, 1966). An altogether remarkable feat of cinema, Gillo Pontecorvo’s film documents several years of the Algerian War, when rebels fought against colonialist rule by the French. Pontecorvo opts for verisimilitude, staging sequences with the … Continue reading Then Playing — The Battle of Algiers; Recorder: The Marion Stokes Story; Sleepwalking Land

Almodóvar, Campion, DeBlois and Sanders, Lumet, Pontecorvo

Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, 1988). Almodóvar’s international breakthrough is almost quaint in its kitschy simplicity when held up against the rich, lush films that have sprung from his off-kilter cranium in recent years. It involves a tangled web of romantic and sexual relationships, largely converging in a Spanish apartment that has a convenient batch of sedative-laden gazpacho in the fridge. There evidence of Almodóvar’s sterling eye, especially in the earlier scenes, but it’s mostly an engagingly casual farce, played with a relaxation that feels nicely cultural. Carmen Maura is especially good in the lead … Continue reading Almodóvar, Campion, DeBlois and Sanders, Lumet, Pontecorvo