From the Archive: Terminator 2: Judgment Day

I find it a little dismaying that I can reach back twenty-five years to find reviews that are incredibly pertinent to new blockbuster-wannabe releases. James Cameron attests that the latest stab at perpetuating the franchise, Terminator: Genisys, is the true follow-up to his own final cinematic word the adventures of Sarah Connor and the cyborg assassin from the future. (I’m pretty sure he also once maintained that the theme park attraction he helped direct is also canon.) I don’t blame him for disavowing the other movies, but I know at least a couple people who would argue vehemently (preferably over beers) … Continue reading From the Archive: Terminator 2: Judgment Day

Aja, Cameron, Hanks, Ophüls, Saladoff

Piranha (Alexandre Aja, 2010). It’s remarkable that a film that so overtly embraces its own willful trashiness can still be dour, flatfooted and boring as hell. Richard Dreyfuss’s early cameo as a scruffy boater who’s a victim of carnivorous fish is only the first overt reference to Steven Spielberg’s superlative Jaws. The entire plot about the vicious water-dwellers is essentially lifted from the earlier feature, with the family vacation crowds in a terrorized tourist tour replaced by ribald Spring Breakers, all the better to fill the screen with R-rated nudity. It’s gory, ridiculous and almost deliberately inept. It’s also no … Continue reading Aja, Cameron, Hanks, Ophüls, Saladoff