Now Playing — A Complete Unknown
How does it feel? We might never know, but this Bob Dylan biopic does know how to play the hits. Continue reading Now Playing — A Complete Unknown
Tag: james mangold
Now Playing — Indiana Jones and the Dial of Destiny
Conceding upfront that the sanctity of the film series that chronicles the adventures of an archeology professor who has some especially bustling sabbaticals took a significant hit with a comeback installment centered on a crystal skull, I think it’s still … Continue reading Now Playing — Indiana Jones and the Dial of Destiny
Now Playing — Ford v Ferrari
In the early nineteen-sixties, Ford Motor Company took a run at propping up their cultural cachet through the acquisition of Italian automaker Ferrari, renowned for their sleek sports cars, including the vehicles that famously dominated the yearly twenty-four endurance race … Continue reading Now Playing — Ford v Ferrari
Now Playing: Logan
I’m glad Logan doesn’t end with a bonus scene plopped in the midst or at the end of the closing credits. In the cinematic landscape that is slowly, steadily being engulfed by the mighty Marvel model of moviemaking, the choice is novel enough to prompt a flurry of online interviews that call upon director James Mangold to explain himself. He has a few different explanations, slightly nuanced from each other, but the crux of it is always the same, and it speaks to precisely why I so appreciate the choice. Logan is — being blunt about it — a real movie … Continue reading Now Playing: Logan
From the Archive: 3:10 to Yuma
For the opening weekend of Logan, I initially figured I’d simply link to the consideration of the old Wolverine limited series that I wrote for Spectrum Culture ages ago. For reasons I still can’t pin down, this “Revisit” piece was … Continue reading From the Archive: 3:10 to Yuma
Garland, Howard, Mangold, Ross, Taylor
Ex Machina (Alex Garland, 2015). Novelist and screenwriter Garland makes his directorial debut with this smart, chilly science fiction film about a reclusive tech magnate (Oscar Isaac) who flies up an employee (Domhnall Gleeson), supposedly selected at random, to help him test out some remarkable new artificial intelligence he’s created. Complicating the test subjects reactions is the little detail that the A.I. has been loaded into an android with a notably lovely female form and visage (Alicia Vikander). Garland builds his script with almost malicious psychological cunning, fomenting uncertainty as to whether the genius inventor is a simmering madman or … Continue reading Garland, Howard, Mangold, Ross, Taylor
From the Archive: Walk the Line
As I’ve noted before, 2005 was the year that I took advantage of the bountiful blank page afforded me by the interweb and started writing movie reviews again. I tend to to think of it as a relatively slow development process, from noodling around to full-length reviews. But it seems I got to the destination a little more quickly than I remember, as this take on the Johnny Cash biopic Walk the Line, written just a few months after I’d recommitted to writing about movies, has a hearty word count. There are two moments in the new Johnny Cash biopic … Continue reading From the Archive: Walk the Line
Dugan, Lubitsch, Mangold, Reitman, Taccone
One Hour with You (Ernst Lubitsch, 1932). It’s a basic necessity to mention “The Lubitsch Touch” when evaluating one of the films from the great comic director, even if it’s simply to point out the absence of his trademark deftness in the work in question. One Hour with You is considered a fairly early effort–nearly a decade before revered classics like Ninotchka and The Shop Around the Corner, but, in the way of the era, the director already had dozens of films under his belt by this point. The film is a pretty odd duck, a soft-stepping musical about flirtations … Continue reading Dugan, Lubitsch, Mangold, Reitman, Taccone
Coffee for Two 