Bait Taken: The 10 Essential Roles of Michelle Pfeiffer

There are many building blocks of the internet, but the cornerstones are think pieces, offhand lists, and other hollow provocations meant to stir arguments and, therefore, briefly redirect web traffic. Engaging such material is utterly pointless. Then again, it’s not like I have anything better to do. It was only a week ago that I found cause to revive the “Bait Taken” feature, and now here I am, all roiled up over another Vulture list. In my meek defense, the creative team behind New York magazine’s culture blog went ahead and crafted a list that is right in my proverbial wheelhouse. And … Continue reading Bait Taken: The 10 Essential Roles of Michelle Pfeiffer

Landis, McDonagh, Nichols, Parks, Trevorrow

The Blues Brothers (John Landis, 1980). I routinely think of this musical-action-comedy as the strongest film of the many that have been spun off from Saturday Night Live recurring characters, though we’re admittedly looking at a shallow, fetid pool. A recent fresh viewing suggests I might have been inflating in, undoubtedly on the basis of how freely I and my cohort of dopey high school friends quoted it, as if reciting a bar order of “three orange whips” at a purportedly clever moment would position us as comic geniuses. The movie is more slapdash than I remembered and spotted with … Continue reading Landis, McDonagh, Nichols, Parks, Trevorrow