The Many Saints of Newark (Alan Taylor, 2021). Nearly fifteen years after an exceptional series finale that stirred controversy among people who evidently misinterpreted everything that had come before, The Sopranos gets an utterly needless revival with a prequel feature … Continue reading Then Playing — The Many Saints of Newark; George Carlin’s American Dream; Old
The King of Staten Island (Judd Apatow, 2020). This film represents a new nadir for director Judd Apatow’s exhausting tendency to develop a container ship’s worth of individual scenes with only the vaguest concern of how they might fit together … Continue reading Then Playing — The King of Staten Island; The Way We Were; Licorice Pizza
One of the cute celebrity stories that made the rounds this week was Steve Carell’s talk show tale of meeting Kelly Clarkson, more than a decade after he shouted her name while getting his chest hair waxed off in The 40-Year-Old Virgin. It’s not much of a story, but anything mildly interesting enough to briefly disrupt the news cycle of constant misery is always welcome. And if Carell can find a reason to bring up The 40-Year-Old Virgin, I suppose I can, too. This review was written for my former online home, and it was one of the very first … Continue reading From the Archive — The 40-Year-Old Virgin
No matter how much evidence there is to the contrary, the temptation is mighty to always ascribe cinematic authorship primarily (even solely) to the director. There’s good cause for that. Studying the filmographies of everyone from genuine artists like Steven Spielberg and Martin Scorsese to abominable hacks like Brett Ratner and Michael Bay suggest just how much a director owns the final vision on the screen. On occasion, though, the genealogy of a film can be a little trickier than that. Trainwreck is unmistakably a Judd Apatow movie, maintaing the flavor and messiness of the director’s four prior features. But it … Continue reading Don’t say I never warned you when your train gets lost
Now seems an opportune time to retrieve one of the old reviews of a Judd Apatow film that I wrote for an online site, but not this one. My original plan was to post my take on The 40-Year-Old Virgin, which I remember as one of my first stabs at reviving my film criticism for the brave new digital age. It was, but there’s barely anything to the review. It not’s even worth a hyperlink. By the time Apatow’s sophomore directorial effort arrived, I was more clearly back in the realm of full-length reviews. If you want to understand why writer-director … Continue reading From the Archive: Knocked Up
The various promotional efforts for Judd Apatow’s new film, This is 40, position it as the “sort-of sequel to Knocked Up.” The reasoning behind this is simple enough, reflecting the fairly unique creative starting point of drawing a couple of … Continue reading Many will see, many will see and fear
Writer-director Judd Apatow’s new movie Funny People has a lot of dick jokes in it. A lot. If you’re an undiscerning fan of dick jokes, finding each and every one of them hysterically funny, then this movie may actually be … Continue reading Whatever went away, I’ll get it over now, I’ll get money, I’ll get funny again
Coffee for Two 