From the Archive: Point Break

Much as I’ve admired Kathryn Bigelow’s recent and somewhat sudden escalation to the upper ranks of “important” modern filmmakers–the two films responsible for the shift are both formidable works–I still struggle with the cognitive dissonance of the director of Point Break as an exalted Oscar-winner. That’s how much I disliked that film, an ire that’s only grown over the years as plenty of people have cited it as a willfully dumb pleasure. Despite what it might seem like, I can get behind grandly, deliberately dopey summer popcorn fare, old or new, but I’ve never understood the affection for this particular … Continue reading From the Archive: Point Break