Grief is easy in the movies. For filmmakers, it’s a shortcut, imbuing characters with emotions that can be grasped quickly. Beyond stating the simplest narrative fact that explains what has brought the character to sorrowful place, there’s not much internal layering that’s required. And any emergence from that aching state can feel so cathartic for an audience that trite turns of character outlook are often accepted gratefully by audiences, even if the progression doesn’t really play plausibly. But Kenneth Lonergan doesn’t do easy. With Manchester by the Sea, the writer-director doesn’t treat grief as a gloss of emotional profundity. Instead, it’s … Continue reading Top Ten Movies of 2016 — Number Six