Tag: new movie review

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You scream and everybody comes a running

Dan Seeger

Shortly after Olympic wrestler Dave Schultz was shot in killed, in 1996, a spokesman announced at a press conference, “John du Pont is a marksman, and he has an arsenal. We don’t know how many guns or how much ammunition he has.” This man pushing sixty, unbelievably wealthy thanks to a family fortune that stretched back generations, had taken one of the weapons from that arsenal and written an ugly, lurid story with the pull of a trigger. Back before stories celebrity freak shows and rampant gun violence seemed to arrive with the regularity of the tides, the twisted tale of … Continue reading You scream and everybody comes a running

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You think you’re alone until you realize you’re in it, now fear is here to stay, love is here for a visit

Dan Seeger

I’ve had a couple different conversations by now which involved listing all the other filmmakers that come to mind when watching Paul Thomas Anderson’s Inherent Vice. The director has already acknowledged a surprising influence from the early nineteen-eighties oeuvre of Zucker-Abrahams-Zucker, especially Top Secret!, and the film does often play like one of their outlandish comedies dragged through a heavy Anderson filter in much the same way that Punch Drunk Love is a standard Adam Sandler comedy given the same transformative treatment. There’s also the clearest echo of Robert Altman since Anderson’s Magnolia, if only in a clear resemblance to … Continue reading You think you’re alone until you realize you’re in it, now fear is here to stay, love is here for a visit

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Just try to do your very best, stand up and be counted with all the rest

Dan Seeger

In the immediate aftermath of watching Selma, I was one of those many people who marveled at what a leap forward it was for director Ava DuVernay, considering the perceived degree of difficulty in shifting from small, intimate dramas to a period picture on a wide scale depicting a signal moment in recent American history. Then I revisited my own review for DuVernay’s prior film, Middle of Nowhere, and I realized the resounding inaccuracy of that perception. Yes, the scale of Selma is very different, most evident in the scenes recreating the various attempts at mounting a protest march the fifty … Continue reading Just try to do your very best, stand up and be counted with all the rest

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By and by, Lord, by and by

Dan Seeger

Bringing the wartime experience of Louis Zamperini to the screen has been on the Universal Pictures wish list for so long that they once dangled the part to Tony Curtis. There’s nothing like a blockbuster book to suddenly propel a film project into being. Delivering the same sort of clear storytelling and reportorial depth that distinguished her earlier Seabiscuit, Laura Hillenbrand tracked through Zamperini’s youth, athletic feats, military achievements, astounding endurance both lost in sea and as a prisoner of war in Japanese internment camps, and finally struggles with pronounced post-traumatic stress disorder after returning home. There is a staggering amount of … Continue reading By and by, Lord, by and by

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Arms getting heavy, exhaustion’s setting in, waves getting bigger, life’s getting thin

Dan Seeger

The gimmick built into the construction of Birdman or (The Unexpected Virtue of Ignorance) has every likelihood of sinking it. The not wholly novel story of a desperate actor (Michael Keaton) mounting a troubled stage production in hopes of reviving … Continue reading Arms getting heavy, exhaustion’s setting in, waves getting bigger, life’s getting thin