You said, it’s time to get your clothes on, you said, it’s time to leave the planet

Guardians of the Galaxy is the first film that’s convinced me Marvel Studios might be able to make a go of this moviemaking thing longterm. That might seem ridiculous given the fact that the offshoot of Marvel Comics has had an enviable box office run ever since they decided to take their characters in the own hands, beginning with Iron Man, released in 2008. Though the projects are costly, their lowest worldwide gross with a film was still over $250 million, and the bulk of them have handily crossed the half-billion mark. Artistically, though, they’ve floundered just enough to cast … Continue reading You said, it’s time to get your clothes on, you said, it’s time to leave the planet

Everyone’s happy, they’re finally all the same, ’cause everyone’s jumping everyone else’s train

Snowpiercer, the new film from director Bong Joon-ho, is ravishingly bonkers. Based on a French comic book saga, the film presents a future vision of the world plunged into permanent, uninhabitable winter, a result of overcompensation in the battle against … Continue reading Everyone’s happy, they’re finally all the same, ’cause everyone’s jumping everyone else’s train

Well can’t you see me standing here, I’ve got my back against the record machine

At some point, the meta magic of filmmakers Phil Lord and Christopher Miller is going to wear so thin it can’t hold up a flimsy excuse for a movie concept, but the inevitable erosion hasn’t happened yet. Mere months after their astonishing and daring subversion of the corporate synergy movie model turned The Lego Movie into the most unlikely critical hit in ages (the film’s commercial success, while more impressive than expected, wasn’t exactly in doubt) they’ve returned with a sequel to 2012’s television show adaptation 21 Jump Street, itself a headlong dive into the rabbit hole of mocking self-awareness. … Continue reading Well can’t you see me standing here, I’ve got my back against the record machine