I walked away from everyone I know, I looked around and thought, This must be what it’s like to be alone

Just over twenty-five years into their existence as Pixar and over fifteen years since they shifted the foundations of film with Toy Story, the computer animation studio that can make as much of a claim towards auteurship as any major … Continue reading I walked away from everyone I know, I looked around and thought, This must be what it’s like to be alone

The walls were crumbling, the wheels were coming off

Great pains have been taken in recent weeks to preserve the mystery and secrets of Prometheus, the film that represents director Ridley Scott’s return to the franchise which he unwittingly launched over thirty years ago with 1979’s Alien, before the notion that film concepts could go on forever and ever through endless sequels and reboots. A big screen secret agent with a habit of introducing himself last name first was about the only example of such a process of constant recycling that has now became the norm. It was widely known that Prometheus was more of a prequel, all the … Continue reading The walls were crumbling, the wheels were coming off

Don’t you think every kitten figures out how to get down whether or not you ever show up?

It never seemed like Whit Stillman was going to be prolific. There were four years between his 1990 debut Metropolitan and the largely forgotten follow-up Barcelona and then another four years before his third film, 1998’s The Last Days of … Continue reading Don’t you think every kitten figures out how to get down whether or not you ever show up?

But how can I help it, if they break then they break, when my hands are untied they’re entitled to shake

Steven Soderbergh has made it clear that the movie Haywire exists solely because he saw Gina Carano in one of her mixed martial arts fights on television. I’d like to think he also spent part of that particular evening hitting … Continue reading But how can I help it, if they break then they break, when my hands are untied they’re entitled to shake

Like a drug that threatens to take my life, lust is a cancer, love is a vice

I can’t think of another director that successfully mixes the tactile and the intellectual more often than David Cronenberg. In his very best films–for me, that means Dead Ringers, eXistenZ and The History of Violence–there’s a remarkable thematic balance between … Continue reading Like a drug that threatens to take my life, lust is a cancer, love is a vice