Then Playing — Jay Kelly; Bringing Up Baby; Wake Up Dead Man
Reviews of films directed by Noah Baumbach, Howard Hawks, and Rian Johnson Continue reading Then Playing — Jay Kelly; Bringing Up Baby; Wake Up Dead Man
Tag: noah baumbach
Then Playing — White Noise; Resurrection; The Eternal Daughter
White Noise (Noah Baumbach, 2022). The only way this film can reasonable be deemed a success is by subscribing to the wholly unsupported premise that writer-director Noah Baumbach set out to prove that Don DeLillo’s landmark 1985 novel was accurately … Continue reading Then Playing — White Noise; Resurrection; The Eternal Daughter
Top Fifty Films of the 10s — Number Nine
#9 — Frances Ha (Noah Baumbach, 2013) In the ten year stretch of films covered by this survey, I think there may be no single scene that thrills me more than the one that begins with a title card that presents … Continue reading Top Fifty Films of the 10s — Number Nine
Top Ten Movies of 2019 — Number Five
It is a pleasing irony that Marriage Story begins as the legal union of the title is effectively at its endpoint. Theater director Charlie (Adam Driver) and actress Nicole (Scarlett Johansson) have been married for several years, working together on … Continue reading Top Ten Movies of 2019 — Number Five
Now Playing — Marriage Story
Marriage Story begins with Charlie (Adam Driver) listing the things he most appreciates about Nicole (Scarlett Johansson). Then it’s Nicole’s turn. She recites Charlie’s most admirable attributes. In each instance, a montage plays out against the voiceover, showing mundane moments … Continue reading Now Playing — Marriage Story
From the Archive — The Squid and the Whale
I’m entirely sincere when I note it’s pleasing that so many media outlets reported on the surprise arrival of the first child of a movie biz power couple by neglecting the papa. In a culture that still routinely refers to … Continue reading From the Archive — The Squid and the Whale
Playing Catch-Up — Columbus, The Meyerowitz Stories (New and Selected), Miles Ahead
Columbus (Kogonada, 2017). The feature debut from filmmaker Kogonada, who has been justly lauded for video essays on other directors’ work, is an object of understated beauty. Empathetic and honest, Columbus is set in the Indiana city of the same … Continue reading Playing Catch-Up — Columbus, The Meyerowitz Stories (New and Selected), Miles Ahead
From the Archive: Margot at the Wedding
Since the new Noah Baumbach movie, The Meyerowitz Chronicles, has arrived, the time seems right to dig out this old review of the director’s fourth feature, released ten years ago. It was Baumbach’s follow-up to The Squid and the Whale, his most successful film, by several measures, to that point, amping up expectations for what proved to be a fairly sour cinematic experience. That was Baumbach’s goal, to be sure, but the segue into Bergmanesue drama didn’t particularly suit him. While generally very good, Margot at the Wedding perhaps could have used a little less dedicated approach to maintaining … Continue reading From the Archive: Margot at the Wedding
Baker, Baumbach, Endfield, Hall and Williams, Jacobs
Big Hero 6 (Don Hall and Chris Williams, 2014). Like just about everyone else, I believe The Lego Movie should have been Best Animated Feature Academy Award nominee (and I appreciate the creators’ inspired cheeky resilience in the face of the snub). After seeing Big Hero 6, though, I’m not sure naming the most worthy victor in the category was quite as simple as the chagrined consensus suggested. Developed after Disney Studios rummaged through the big trunk of misfit concepts stored up by their acquisition Marvel, the computer animated film about a young robotics genius who responds to personal hardship … Continue reading Baker, Baumbach, Endfield, Hall and Williams, Jacobs
How do you know you’ll recognize me? I’m not too clear, but I’m easy to see
I’m not often able to assert the following right after seeing a new movie: I have a clear favorite scene in Mistress America. Tracy (Lola Kirke), a young woman in her first semester of college, has just been charged by her new friend and anticipated step-sister, Brooke (Greta Gerwig), with picking up some pasta for dinner. Alone in the grocery store, Tracy is flummoxed by the array of options before her, both in trying to determine which brand is fancy enough to impress her older, more worldly companion and simply which damn shape she should opt for. Maybe the ones that … Continue reading How do you know you’ll recognize me? I’m not too clear, but I’m easy to see
Coffee for Two 