Burton, Limon, Melfi, Segal, Tyldum

The Imitation Game (Morten Tyldum, 2014). One of the great frustrations of the Oscar season was watching Selma and, to a lesser degree, American Sniper battered by criticism over supposedly terrible transgressions in their depiction of historical record while The Imitation Game, the “true life” story receiving the phoniest treatment among the Oscar contenders, sailed along unperturbed. The story of Alan Turing’s secret, indispensable contributions to the Allied effort in World War II is fully deserving of big-screen veneration, just as his own government’s cruel retribution against him a decade later because his “lifestyle” was considered illegal is the stuff of … Continue reading Burton, Limon, Melfi, Segal, Tyldum

B movie, that’s all you are to me

Get Smart (Peter Segal, 2008). So mechanical that it quickly becomes depressing. This launch of a new film franchise based on the sixties TV spy spoof–it’s nearly impossible think of it in terms of a single film rather than the beginning of an ongoing endeavor–is assembled from repurposed parts and spectrum-spanning cast members designed to make sure there’s at least one person in the credits that appeals to any randomly selected potential moviegoer. Anne Hathaway, playing Agent 99, has one moment that she plays with admirable commitment to honest emotions. I’m assuming that her castmates consulted with her after that … Continue reading B movie, that’s all you are to me