Now Playing — Nosferatu
Nosferatu gets an update that adoringly embraces the gloom of centuries past. Continue reading Now Playing — Nosferatu
Nosferatu gets an update that adoringly embraces the gloom of centuries past. Continue reading Now Playing — Nosferatu
The Northman begins in the ninth century, and it looks it. Drawing on Scandinavian legend so distant that it’s thought to have served as inspiration for William Shakespeare’s Hamlet, the film follows Amleth (Alexander Skarsgård, and briefly, as a boy, … Continue reading Now Playing — The Northman
Hustlers (Lorene Scafaria, 2019). Based on a New York article, Lorene Scafaria’s Hustlers is like Magic Mike with a low-level heist drama applied like glittery eye shadow. A group of exotic dancers at a high-end New York club need to … Continue reading Then Playing — Hustlers; The Lighthouse; Shazam!
There is a splendid modesty to The Witch, the feature debut from writer-director Robert Eggers. Positioned with false comfort as “A New-England Fable,” the film progresses with a stern leanness, as if its a spiritual sequel to Meek’s Cutoff, Kelly Reichardt’s saga of tragic pioneers. Set in the seventeenth century, The Witch covers the hardships of a family struggling to make do out in the rural outskirts after being cast out of their community. The tension increases when the family’s infant goes missing while being looked after by eldest daughter Thomasin (marvelous newcomer Anya Taylor-Joy), a vanishing that happens in … Continue reading Top Ten Movies of 2016 — Number Ten
The Witch opens on a face. Thomasin (Anya Taylor-Joy), a teen-aged girl is staring forward with a delicate mixture of worry and disbelief as her family is drummed out of a community of the basis of religious views in combat. … Continue reading Now Playing: The Witch