Tomorrow’s sun with buildings scrape the sky

For a sizable portion of his career — at least since Back to the Future first positioned him to be able to take pricey risks in his projects — director Robert Zemeckis has been most enlivened by material that allows him some opportunity to bend the latest cinematic technology to the needs of classic Hollywood narrative. At its best, this has led to films where the exuberance of Zemeckis’s relentless invention gave truth to the overused term movie magic. It also led to an unfortunate stretch of years that found him stuck in the Uncanny Valley. Even at the most dire, the … Continue reading Tomorrow’s sun with buildings scrape the sky

From the Archive: Beowulf

This is another review raided from my former online home. If nothing else, it’s a snapshot of a time when considering the relative value of a 3D viewing was still required when evaluating a film that has that option. By now, except in the rare occasions when it’s an enormous part of the intended experience, the technology is rarely brought up in reviews. I’ll also note that, following my habit of using song lyrics as the headlines to film reviews, this piece was original presented under the banner “The rain was there to wash away my tears, I wanted to … Continue reading From the Archive: Beowulf