Edwards, Ficarra and Requa, Levy, Stoller, Wyatt

Focus (Glenn Ficarra and John Requa, 2015). There are a whole lot of film folks trying to pivot their careers with this strangely aspirational con job drama. Star Will Smith is clearly trying to put After Earth completely behind him by staking a claim on the territory of smart movies for adults that George Clooney has made his whole grain bread and artisan butter. At the same time, filmmaking partners Ficarra and Requa endeavor to demonstrate they can do more than comedies with a slightly twisty edge. Everyone fails in their attempt to stretch. The film is notably tepid, even as … Continue reading Edwards, Ficarra and Requa, Levy, Stoller, Wyatt

Eastwood, Polanski, Rosenberg, Siodmak, Wyatt

Hereafter (Clint Eastwood, 2010). Clint Eastwood will often dismiss anyone trying to read too much subtext of grand personal artistic statement in his films. They’re just pictures to the steely-eyed director. Certainly this ponderous rumination of mortality holds no added passion or weight that might be expected from a guy entering into his eighties and, therefore, maybe a little interested in considering what might be out there beyond this mortal coil. Instead Eastwood plods through a notably facile script from Peter Morgan bringing together multiple story threads in ways that would strain credulity to breaking if they weren’t so completely … Continue reading Eastwood, Polanski, Rosenberg, Siodmak, Wyatt