#12 — Being John Malkovich (Spike Jonze, 1999) Charlie Kaufman has his screenwriting Oscar for Eternal Sunshine of the Spotless Mind, and he has plenty of swooning admirers ready to step forward and declare either of his metanarrative Möbius bands, Adaptation. or Synecdoche, New York, the purest distillation of his own unique form of absurdist existentialism. There are things to admire in all of those works, to be sure. Kaufman concocts crazy, complicated cinematic puzzles, and the offbeat invention that is seemingly second nature to him gives him one of the most distinct voices in modern movie-making. But from my … Continue reading Top Fifty Films of the 90s — Number Twelve