Working from a warmly insightful screenplay he wrote with regular collaborator Tony Kushner, director Steven Spielberg turns the camera on his own history and emerges with a work that is arguably the most penetrating of his storied career. Heavily autobiographical, … Continue reading Top Ten Movies of 2022 — Number Four
Guillermo del Toro’s Pinocchio (Guillermo del Toro and Mark Gustafson, 2022). It’s seem a fine idea for Guillermo del Toro to channel his enduring fascinating for grim fairy tales into a stop-motion animation take on the little wooden boy created … Continue reading Then Playing — Guillermo del Toro’s Pinocchio; Violent Night; The Fabelmans
The defining achievement of Steven Spielberg’s version of West Side Story is that it is inadequate to the point of flat-out inaccuracy to term the film an adaptation or a remake. Yes, the work is taken directly from the enduring … Continue reading Top Ten Movies of 2021 — Number Eight
I was skeptical about Steven Spielberg’s West Side Story. That was probably unwise. Although he has his fair share of missteps in his filmography, Spielberg has an almost unparalleled mastery of the traditional film narrative structure, and the famed musical … Continue reading Now Playing — West Side Story
Steven Spielberg is the dream director for the film adaptation of Ernest Cline’s novel Ready Player One. He’s also arguably a terrible choice for the near-future cotton candy dystopia of a puzzle quest across a virtual landscape of pop culture … Continue reading Now Playing — Ready Player One
These days, The Washington Post is demonstrating no reluctance in their insistence on the primacy of a free and robust press in a healthy republic. “Democracy Dies in Darkness” is the motto emblazoned on their masthead in a direct rebuke … Continue reading Top Ten Movies of 2017 — Number Eight
Even without director Steven Spielberg offering fairly unequivocal explanations of his motivation behind signing on for The Post — and working overtime to deliver a finished product as quickly as possible — it’s not difficult to ascertain the film’s sharp … Continue reading Now Playing — The Post
I find it a little remarkable that I have no reviews of Steven Spielberg films from the time I cohosted the movie review show on college radio station WWSP-90FM. During the time our program was airing weekly, the prolific filmmaker signed his name to exactly one directorial effort: Hook, released in 1991. Given when it landed on the release calendar, it’s possible we didn’t even cover it on the show. (A December 11th release date means we could have already been off in correlation to the school’s winter break). Instead, in order to populate the “From the Archive” feature with … Continue reading From the Archive: Munich
Amazingly for a director who used to routinely face a barrage of critical darts for a supposed inability to progress past the childish stuff of frothy fantasy, Steven Spielberg has become one of the most dependable cinematic chroniclers of the planet’s tumultuous history. Across the last decade, with the odd exceptions of a misguided Indiana Jones sequel and a diversion into computer animation, Spielberg has been filming in the past. That’s not an entirely newfound preoccupation, of course. Even before Munich, which I’m using as the dividing line ahead of this era of Spileberg’s filmmaking, Spielberg kept cycling back to historical … Continue reading We don’t know the meaning of fear, we play every minute by ear
With all my papers still packed up for transit, I’m still relying on my former online home for this weekly dive into the archive. And we’ll use this week’s release schedule to help narrow down what’s selected. The first portion … Continue reading From the Archive: Indiana Jones and the Kingdom of the Crystal Skull
Coffee for Two 