Greatish Performances #57
In one of the greatest film comedies of all time, Teri Garr gives a standout performance. Continue reading Greatish Performances #57
Tag: sydney pollack
Then Playing — The King of Staten Island; The Way We Were; Licorice Pizza
The King of Staten Island (Judd Apatow, 2020). This film represents a new nadir for director Judd Apatow’s exhausting tendency to develop a container ship’s worth of individual scenes with only the vaguest concern of how they might fit together … Continue reading Then Playing — The King of Staten Island; The Way We Were; Licorice Pizza
Fleischer, McQueen, Perry, Sturges, Tourneur
The Swimmer (Frank Perry, 1968). This is definitely an odd one. It’s not hard to see why this has become something of a cult classic, its relative obscurity combining with the floridly executed proto-seventies moody grit creating a fairly singular viewing experience. Based on a John Cheever story, the film casts Burt Lancaster as a middle-aged stalwart of the self-anointed suburban upper class who decides on a whim on day that he can cross the vast distance from one house to his own home entirely by following a path that takes him through all of his many neighbors’ backyard swimming … Continue reading Fleischer, McQueen, Perry, Sturges, Tourneur
Top Fifty Films of the 60s — Number Forty-Five
#45 — They Shoot Horses, Don’t They? (Sydney Pollack, 1969) Sydney Pollack knew how to put together a movie. He was a favorite director of mine, despite the not insignificant detail that he didn’t make all that many great movies. … Continue reading Top Fifty Films of the 60s — Number Forty-Five
Top Fifty Films of the 80s — Number Two
#2 — Tootsie (Sydney Pollack, 1982) Whenever I write about comedies–especially in the context of celebrating them as prime cinematic achievements–I always seem to get to the end of the piece and realize that I’ve almost completely ignored a key … Continue reading Top Fifty Films of the 80s — Number Two
Jewison, Pollack, Roemer, Sommers, Spielberg
In the Heat of the Night (Norman Jewison, 1967). I guessed that this film would seem painfully dated. Instead, Jewison’s police drama about a black Philadelphia homicide detective called upon to help solve a murder case in a small Southern town where rampant bigotry still rules the culture holds up nicely. It’s somewhat an artifact of its time, but a dramatically sound one. Jewison makes his points with care, always grounding the conflicts in believable situations populated by well-drawn characters. What it lacks in subtlety, it makes up for in clean, gripping storytelling. Rod Steiger won an Oscar for his … Continue reading Jewison, Pollack, Roemer, Sommers, Spielberg
Coffee for Two 