Garland, Howard, Mangold, Ross, Taylor

Ex Machina (Alex Garland, 2015). Novelist and screenwriter Garland makes his directorial debut with this smart, chilly science fiction film about a reclusive tech magnate (Oscar Isaac) who flies up an employee (Domhnall Gleeson), supposedly selected at random, to help him test out some remarkable new artificial intelligence he’s created. Complicating the test subjects reactions is the little detail that the A.I. has been loaded into an android with a notably lovely female form and visage (Alicia Vikander). Garland builds his script with almost malicious psychological cunning, fomenting uncertainty as to whether the genius inventor is a simmering madman or … Continue reading Garland, Howard, Mangold, Ross, Taylor

Clooney, Goldwyn, Kiarostami, Taylor, Vaughn

The Help (Tate Taylor, 2011). I think a strong, important movie can (and arguably should) be made about the continued racial-based social inequities imposed in the American South–really all over the country, but those below the Mason-Dixon line had a special skill for it–in the early nineteen-sixties as the power of the Civil Rights movement was beginning the much needed push back against the monied classes that wanted to maintain some diluted but still despicable variation on the slavery system abolished about a century earlier. The Help, for all its noble intentions, simply isn’t that movie. Even putting aside the … Continue reading Clooney, Goldwyn, Kiarostami, Taylor, Vaughn