As filmmaking — U.S. filmmaking, anyway — becomes more and more entrenched in an era of high-concept spectacle, in which every new offering must have a big, shimmering storytelling hook, Greta Gerwig’s debut as the solely credited director offers the … Continue reading Top Ten Movies of 2017 — Number One
People are places exert powerful holds. They can be nurturing in their influence, or they can keep someone’s ambitions — their very possibilities — smothered, doing so with a blind indifference to the effect being rendered. Quite often, the opposite … Continue reading Top Ten Movies of 2017 — Number Two
The Hollywood Foreign Press Association endure a significant amount of wholly deserved derision for the sometimes spurious reasoning employing in divvying films into the broad categories of “Drama” and “Comedy/Musical” every year (a practice, it’s worth noting, abetted by studios … Continue reading Top Ten Movies of 2017 — Number Three
There’s no doubt that Guillermo del Toro’s sympathies lie with the monsters. In that respect, The Shape of Water is no revelation. Instead it is — marvelously, beautifully — an expression of del Toro’s worldview so perfectly, precisely rendered that … Continue reading Top Ten Movies of 2017 — Number Four
Mudbound, directed by Dee Rees, does heavy lifting. Set largely in nineteen-forties Mississippi, the adaptation from a Hillary Jordan novel (Rees and Virgil Williams are co-credited on the screenplay) depicts the hardships endured by two connected families on a sprawling, … Continue reading Top Ten Movies of 2017 — Number Five
In the basic mechanics of its story, Baby Driver is familiar to the point of farce. There’s our hero, Baby (Ansel Elgort), referenced in the title, a young man of preternatural skill whose excursion in the seedier side of society … Continue reading Top Ten Movies of 2017 — Number Six
There is a truism of storytelling that I think uniquely consistent in its accuracy: Intense specificity is the key to creating a fiction that is strikingly universal. I well remember 1983, the year in which Call Me By Your Name … Continue reading Top Ten Movies of 2017 — Number Seven
These days, The Washington Post is demonstrating no reluctance in their insistence on the primacy of a free and robust press in a healthy republic. “Democracy Dies in Darkness” is the motto emblazoned on their masthead in a direct rebuke … Continue reading Top Ten Movies of 2017 — Number Eight
Christopher Nolan is a masterful cinematic craftsman who compulsively calls attention to his own striking craft. As opposed to Steven Spielberg, his most obvious ancestor, Nolan is largely disinterested in engulfing an audience so completely in the feelings of the … Continue reading Top Ten Movies of 2017 — Number Nine
Director Sean Baker is committed to using his art to give voice to the members of society who are too easily diminished. That’s what he did with the marvelous Tangerine, from 2015, and that’s what he does with The Florida … Continue reading Top Ten Movies of 2017 — Number Ten
Coffee for Two 