I assume the creative team behind Welcome to Marwen operated with the best intentions. The 2018 film is adapted from Jeff Malmberg’s well-respected 2010 documentary, Marwencol, which centered on Mark Hogancamp and the therapeutic value he derived from developing a … Continue reading The Unwatchables — Welcome to Marwen
There are many lamentable choices strewn about the history of the Academy Awards, especially when subsequent career choices of individual winners cast a dank shadow on their trophies. Although I’m loathe to offer it as a definitive conclusion, it’s possible … Continue reading The Unwatchables — Savages
I was a fan of Adam McKay’s The Big Short. By any reasonable assessment, the film about the mortgage crisis the leveled the economy in the first decade of this century (based on a nonfiction rage-generator written by Michael Lewis) … Continue reading The Unwatchables — Vice
I don’t inherently have a problem with films that go a little bonkers. And I can muster up an appreciation whether the offerings in question are good or bad. Bong Joon-ho devising brilliant storytelling around dystopian science fiction taking place … Continue reading The Unwatchables — The Counselor
I hold Tom Cruise directly responsible for some of my worst experiences in the movie theater. In the summer of 1990, I committed to co-producing and co-hosting a weekly movie review program at my college radio station. The plan included … Continue reading The Unwatchables — The Mummy
Like most erudite (or, if you prefer, snobbish) modern film fans, I’m always ready to spring forth to decry the practice of making all decisions about which projects see the light according to a strained equation about the likelihood of spinning the material into a myriad of interconnection ancillary series. There can’t just be new Star Wars films. There must be a robust Star Wars universe, exploring side avenues and hidden histories that previously piqued the curiosity of precisely no one. But maybe — just maybe — if studios are going to commit to films largely on the basis of repeatability, … Continue reading The Unwatchables: Now You See Me 2
There was a time when I was absolutely convinced that Jodie Foster was the future of U.S. cinema. In 1991, she starred in The Silence of the Lambs, giving a riveting performance as Clarice Starling that justly earned her an Academy Award, her second Best Actress win in the span of three years. That same year, she delivered her directorial debut in Little Man Tate, an imperfect but insightful drama about precocious talent that benefited from the sense Foster was drawing on her own experience as a child actor who could somehow slip comfortably between a loopy Disney comedy and … Continue reading The Unwatchables: The Beaver
It’s a testament to the toxic narcissistic nepotism of the Smith clan that I completely forgot After Earth is a directorial effort by the favorite whipping boy of modern cinema, M. Night Shyamalan. Under other circumstances, I might have immediately … Continue reading The Unwatchables: After Earth
I’m now mortified that I once defended Jon Favreau’s credibility as a director. More precisely, when Marvel Studios was dithering over whether or not they’d invite him back for the inevitable sequel after he presided over the surprising success of … Continue reading The Unwatchables: Cowboys & Aliens
Before Sucker Punch, writer-director Zack Snyder was always tethered, at least somewhat, to someone else’s vision. This isn’t uncommon in modern Hollywood, where children’s games are the unlikely fodder for wannabe blockbusters, nor is it necessarily problematic. So I don’t … Continue reading The Unwatchables: Sucker Punch
