Boden and Fleck, Joost and Schulman, McGrath, Sherman

Megamind (Tom McGrath, 2010). Just as surely as Pixar has forged its own auteuristic identity as a studio, the same has been achieved by DreamWorks Animation, their main rival for family box office dollars. Where Pixar is built on rigorous storytelling acumen and emotional authenticity, DreamWorks opts for cheap jokes, an overt embrace of fleeting pop culture trends and endlessly frenetic onscreen business. If they can prop it all up with overly familiar pop songs, all the better. The studio is prolific enough that exceptions slip through, almost like accidentally pristine product missed by the lack-of-quality control department of a … Continue reading Boden and Fleck, Joost and Schulman, McGrath, Sherman