Spectrum Check

So I had a busy week at Spectrum Culture. Almost too busy. I’m not sure anyone needs that many of my words. It started with my latest contribution to the Revisit series over on the film side, a consideration of Wayne Wang’s Smoke. I recently confessed to the site’s editor-in-chief that this is the toughest feature for me to crack, trying to find something freshly pertinent to write about films that I know well. And I want to write about something that’s a somewhat unique selection, not simply celebrate films that have no shortage of advocates. I think I did … Continue reading Spectrum Check

Demme, Frears, Hooper, Lee, Wang

Swimming to Cambodia (Jonathan Demme, 1987). Jonathan Demme may not have been the best filmmaker of the nineteen-eighties, but I think there’s an argument to be made that he was the most interesting. This film is a good illustration of that point. It’s a film version of one of Spalding Gray’s monologues, a meandering but always focused act of storytelling that springs from his involvement in the film The Killing Fields. Gray’s approach was simplicity itself, sitting behind a small wooden table with his spiral notebook before him and little more than a couple of maps to help fill out … Continue reading Demme, Frears, Hooper, Lee, Wang

Top Fifty Films of the 90s — Number Twenty

#20 — Smoke (Wayne Wang, 1996) Smoke is about the power and pleasure of stories. The film is enamored with the very act of spinning a tale, whether it be complete concoctions, embellishments on personal histories, or even the fictions people create about themselves as buffers against the sadness of the world. The mere craft of it is admirable enough, and there’s perhaps no better indicator of its value than the smile that irresistibly rises to the visage of a teller who has completed their task particularly well. The film is centered around a Brooklyn cigar shop, the perfect setting … Continue reading Top Fifty Films of the 90s — Number Twenty