Allen, Assonitis, Korda, Stromberg, Tetzlaff

Maleficent (Robert Stromberg, 2014). This piece of fairy tale revisionism might be more affecting if it didn’t arrive on the heels of the same studio’s Frozen, which pulled off basically the same switcheroo (including the subversion of the “true love’s kiss” trope) with more spirit. Judging from what’s onscreen, not much thought went into this project after the dream casting of Angelina Jolie was secured. The certainty that her presence as one of the most iconic villains in the annals of Disney Animated Classics would be enough to make the film compelling comes tantalizing close to becoming a proven truth. … Continue reading Allen, Assonitis, Korda, Stromberg, Tetzlaff

Allen, Coppola, Cukor, Gunn, Mills, Scorsese, Winterbottom

New York Stories (Martin Scorsese, Francis Ford Coppola and Woody Allen, 1989). I remember reading Roger Ebert’s review of this anthology film and thinking he cheated by giving individual star ratings to each of its three segments. After all, no one going to movie theater had the option of just paying for a third of a ticket to see the one part of the film he recommended. Now that I’ve seen it, however, I completely get why he chose to take that approach: one part of the film is significantly better than the others. Woody Allen’s segment is amusing but … Continue reading Allen, Coppola, Cukor, Gunn, Mills, Scorsese, Winterbottom