From the Archive: All I Want for Christmas

As I felt compelled to note when I dropped my old review of the dreadful film Dutch in this space, the actor named Ethan Randall noted here eventually adopted the stage name Ethan Embry instead. This was review on a mid-November edition of The Reel Thing, the movie review radio show I co-produced and co-hosted in the early nineteen-nineties. While we were reading about the amazing, artful films that were opening on the coasts to make a run at the Academy Awards, this was the kind of glop that we had to sit in front of and generate a reaction to … Continue reading From the Archive: All I Want for Christmas

One for Friday: The Beloved, “Hello”

Occasionally during my tenure at the college radio station, a song arrived that was so very, very, very, terribly British. Given that our station was largely populated by staff members who defaulted more to the angry blasts of Hüsker Dü than the artful, lolling heartache of the Smiths, a decidedly U.K. feel to a song was no guarantee of such on our charts. I was one of those who craves loud guitars more than intricate synths, but there were times when a song proved irresistible. “Hello,” the breakthrough 1990 single by the Beloved was one of those. Even if the … Continue reading One for Friday: The Beloved, “Hello”

Now Playing: Nocturnal Animals

There are many flares of ingenuity in the sophomore directorial effort of Tom Ford, but perhaps the most important and telling is the title he chose. In adapting the 1993 novel Tony and Susan, written by Austin Wright, Ford opted for the title of a work of fiction within the fiction: Nocturnal Animals. Not only is that a far more elegant name to hang on a film, it offers an intriguing insight into the darkness that exist in and around the characters that move across Ford’s meticulous images. The film stars Amy Adams as Susan Morrow, an art gallery director … Continue reading Now Playing: Nocturnal Animals

Dominik, Howard, Junger, Miller, Wolchok

Deadpool (Tim Miller, 2016). And so we’ve reached the point in the superhero era of cinema that allows for a caustically deconstructionist take on the genre to become one of the biggest hits of the year. There might be no better methodology for tracing the chronology of the genre’s takeover than measuring the comparative impact of Mystery Men (a dud in 1999) to Kick-Ass (a solid hit in 2010) to Deadpool (a sensation in 2016). Technically, Ryan Reynolds first played Wade Wilson in the dismal X-Men Origins: Wolverine, release in 2009. Besides the smirking countenance of the actor, that iteration … Continue reading Dominik, Howard, Junger, Miller, Wolchok

Laughing Matters: Steve Martin, “Billie Jean”

Sometimes comedy illuminates hard truths with a pointed urgency that other means can’t quite achieve. Sometimes comedy is just funny. This series of posts is mostly about the former instances, but the latter is valuable, too. NBC programmed a lot of disasters on Friday nights in the fall of 1983, including a show about a talking orangutan and the notorious Manimal. And yet it was a show that arrived as a mid-season replacement on that night which proved to the biggest dud of them all. Amazingly, it was produced by Lorne Michaels, the creator and current producer of Saturday Night … Continue reading Laughing Matters: Steve Martin, “Billie Jean”

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 109 – 107

109. Heaven 17, “Let Me Go” While many bands are dogged by comparisons to other acts while they try to make their way in the wild of the music business, Heaven 17 endured an especially sharp version of that burden. Martyn Ware and Ian Craig Marsh, two thirds of Heaven 17’s most enduring lineup, were both founding members of the Human League. They left that band and ceded the name to lead singer Philip Oakey after the creative relationship became unendurably fractious. “Sometimes it’s hard to give us something that appears to be your entire life, but we all knew … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 109 – 107

One for Friday: The Cigarettes, “Paul Westerberg”

More so than other music fandoms, I believe, having a heavy emotional investment in the college rock of the nineteen-eighties puts a person in a specialized, deeply insular club. At a time when there was a dearth of material that spoke to our instincts for countering the culture, and that material was exceedingly hard to come by, slipping the right record over the turntable spindle was a way to confirm that we weren’t alone. Someone else felt this way, someone else saw the world in similar shades of gloom. All of the above goes double for fans of the Replacements. … Continue reading One for Friday: The Cigarettes, “Paul Westerberg”

Great Moments in Literature

“Now he was fifty-four years old and was as intriguing to corporate America as an airplane built from mud. He could not find work, could not find clients. He had moved from Schwinn to Huffy to Frontier Manufacturing Partners to Alan Clay Consulting to sitting at home watching DVDs of the Red Sox winning the Series in ’04 and ’07. The game when they hit four consecutive home runs against the Yankees. April 22, 2007. He’d watched these four and a half minutes a hundred times and each viewing brought him something like joy. A sense of rightness, of order. … Continue reading Great Moments in Literature