Garry Shandling, 1949 – 2016

When I suggest that boxing, like comedy, is about rhythm, he nods. “My trainer, Dave Paul, he said, ‘G’—he calls me G—he said, ‘G, you have an unusual rhythm of your own that’s sort of, uh, no rhythm whatsoever. And yet that works for you, because they can’t figure you out.’ So sometimes when I’m in the ring, it’s like you can’t tell whether I’m about to tell a joke, or throw a punch, or start a punch and not finish it, or pass out. So some guys can’t read me. They come in close—just like when an audience leans … Continue reading Garry Shandling, 1949 – 2016

Greatish Performances #23

#23 — Michael B. Jordan as Adonis Johnson in Creed (Ryan Coogler, 2015) I don’t begrudge Sylvester Stallone the victory lap he got to take for his seventh performance as the hangdog Philadelphia boxer Rocky Balboa. While he’s perpetrated a great many heinous acts on moviegoers (he didn’t just star in Rhinestone, Cobra, Over the Top, and Cliffhanger; he also helped write them!), there’s something appealing, even charming, about his unlikely perseverance in the business. There might have been a little more sourness had the Academy Award nomination he received actually turned into a win, but, as was the case … Continue reading Greatish Performances #23

My Writers: Malcolm Gladwell

Back in the rough and tumble days before the vast digital landscape was scored with roadways to full archives of certain publications, I used to devote thought and energy to tearing pages out of magazine. Our filing cabinet had a folder stuffed full of articles either I or my partner-in-all-things found interesting enough that we wanted the option of revisiting them somewhere down the line. A sizable number of these came from The New Yorker. These weren’t yanked indiscriminately, but nor we we making a concerted effort to assemble the work of certain writers. I wasn’t even looking at the byline … Continue reading My Writers: Malcolm Gladwell

Beers I Have Known: Schlafly Coffee Stout

This series of posts is dedicated to the many, many six packs, pony kegs and pints that have sauntered into my life at one point or another. I like beer. That should be clear by now. If there’s a beverage that I prefer, it’s coffee. It stands to reason, then, that beers that incorporate coffee into their flavor profile would make me giddy as a barfly with an unlimited tab that never requires payment. An approach to beer once put forward as a sitcom gimmick is now common enough that an article ranking a couple dozen of the best is far from … Continue reading Beers I Have Known: Schlafly Coffee Stout

College Countdown: CMJ Top 250 Songs, 1979 – 1989, 223 – 221

223. Lou Reed, “No Money Down” By the mid-nineteen-eighties, there were two surefire ways to stir up extra interest in a single: make a attention-getting video that MTV couldn’t resist playing, or make an attention-getting video that MTV rejected from their cable-waves for one squeamishness-based reason or another. When Lou Reed released his 1986 album, Mistrial, he was in a strange, unsettled place professionally. Thanks to his creative leadership in the Velvet Underground and a edgy nineteen-seventies solo career that could be used as a shorthand introduction to that decade’s drug-addled grittiness, Reed was approaching the status of legend, albeit one … Continue reading College Countdown: CMJ Top 250 Songs, 1979 – 1989, 223 – 221

The New Releases Shelf: A Man Alive

Operating with the mixed blessing of a highly distinctive voice — in every sense of that word — Thao Nguyen could presumably get along all right taking an easier, less deliberatively disruptive course. She could probably make a string of records laden with relatively straightforward, folk-tinged rock songs and keep herself and her band, the Get Down Stay Down, in regular music biz work for some time. Instead, she ties composition into tricky knots, constantly seeking the challenging dynamic, as if enough effort in that direction will finally create the song that can surprise her in midstream. As a listener, it’s … Continue reading The New Releases Shelf: A Man Alive

Now Playing: 10 Cloverfield Lane

10 Cloverfield Lane is the feature directorial debut of Dan Trachtenberg, and it credits John Campbell, Matthew Stuecken, and Whiplash filmmaker Damien Chazelle as crafters of the story and screenplay. And yet the name that looms over it is that of producer J.J. Abrams. This could be understandably explained by the studio’s enthusiasm to the film to the contributing creator who presided over the all-time top grossing film at the domestic box office, even if he achieved that particular inside-the-park home run after starting on third base. Instead, 10 Cloverfield Lane feels like it belongs to Abrams because it adheres to his … Continue reading Now Playing: 10 Cloverfield Lane

Bait Taken: The New York Times Magazine’s “25 Songs That Tell Us Where Music is Going”

There are many building blocks of the internet, but the cornerstones are think pieces, offhand lists, and other hollow provocations meant to stir arguments and, therefore, briefly redirect web traffic. Engaging such material is utterly pointless. Then again, it’s not like I have anything better to do.   As I’m sure they secretly hoped, the outrage geysered up right away. The New York Times basically turned over the entirety of their most recent Sunday magazine to a feature entitled “25 Songs That Tell Us Where Music is Going,” which was further billed as “A One-Time Spectacular.” Though positioned as an intricately considered … Continue reading Bait Taken: The New York Times Magazine’s “25 Songs That Tell Us Where Music is Going”