One for Friday: Marti Jones, “You Can’t Take Love for Granted”

Marti Jones was one half of what passed for a power couple in the land of college rock, circa 1988. Jones was part of the band Color Me Gone in the mid-nineteen-eighties. They released a bit of music on A&M Records. It didn’t take, but the label clearly liked Jones, signing her to a solo contract that led to the release of the LP Unsophisticated Time, in 1985. The man behind the boards for that record was Don Dixon, then a hot, up-and-coming producer thanks to his efforts, with Mitch Easter, on the first two R.E.M. albums. He wasn’t making … Continue reading One for Friday: Marti Jones, “You Can’t Take Love for Granted”

Top Fifty Films of the 40s — Number Seventeen

#17 — The Palm Beach Story (Preston Sturges, 1942) By all evidence, Preston Sturges despised being confined, either by studio meddling or expectations. His distinctive comic voice, as bold as any ever committed to cinema, didn’t fit cleanly into the polished, reticent refinements of his era, when every last movie had to run through a clumsy, inconsistent official approval process. The filmmaker’s embedded cynicism was challenge enough to the dainty norms, but his rambunctious playfulness with the rigors of narrative structure could set his work teetering on the precipice of blissful mayhem. The Palm Beach Story exemplifies that clownishly caustic dynamic. Sturges … Continue reading Top Fifty Films of the 40s — Number Seventeen

My Misspent Youth: Stig’s Inferno by Ty Templeton

I read a lot of comic books as a kid. This series of posts is about the comics I read, and, occasionally, the comics that I should have read. When I was buying comic books during my high school years, I mostly opted for the superhero offerings of the big two publishers, Marvel and DC. By that time, it wasn’t a matter of availability. Purchasing new comics from spinner racks in the grocery store or local drugstore had already shifted into a near impossibility, causing me to satisfy my need through monthly orders from a subscriptions service, getting a big … Continue reading My Misspent Youth: Stig’s Inferno by Ty Templeton

How do you know you’ll recognize me? I’m not too clear, but I’m easy to see

I’m not often able to assert the following right after seeing a new movie: I have a clear favorite scene in Mistress America. Tracy (Lola Kirke), a young woman in her first semester of college, has just been charged by her new friend and anticipated step-sister, Brooke (Greta Gerwig), with picking up some pasta for dinner. Alone in the grocery store, Tracy is flummoxed by the array of options before her, both in trying to determine which brand is fancy enough to impress her older, more worldly companion and simply which damn shape she should opt for. Maybe the ones that … Continue reading How do you know you’ll recognize me? I’m not too clear, but I’m easy to see

Top Fifty Films of the 40s — Number Eighteen

#18 — The Reckless Moment (Max Ophüls, 1949) Energized as I might be to see obvious artistry that endures throughout the years when I survey old films, I don’t view the material in a void. As best as I can, I contextualize the work agains the time in which it was released. Often that’s to the favor of a film, with so much that now seems mundane instead looking revolutionary when stripping away the intervening years that may have transformed the novel into a trope. I suppose my mental maneuvering around The Reckless Moment has a similar effect of elevating its stature, … Continue reading Top Fifty Films of the 40s — Number Eighteen

College Countdown: 90FM’s Top 90 of 1995, 9

9. PJ Harvey, To Bring You My Love Technically, To Bring You My Love is a debut album. Specifically, it’s a solo debut. While it’s the third studio album to bear the name PJ Harvey (and fourth overall, if the self-explanatory 1993 release 4-Track Demos is included in the tally), both Dry and Rid of Me were officially the work of a trio that shared a name with their lead singer and driving creative force. While touring to support Rid of Me, the band began to splinter, and Harvey decided to dissolve the group and effectively reclaim her name as … Continue reading College Countdown: 90FM’s Top 90 of 1995, 9

College Countdown: 90FM’s Top 90 of 1995, 10

10. Morphine, Yes Morphine were on their third album with Yes, and they’d previously been just successful enough on the left end of the dial that I had a working familiarity with them and their music. So I’m embarrassed to admit that it took me an extremely long time to figure out they were something of a descendent from the late-eighties bluesy rock band Treat Her Right, creators of one of the great sorta-hits of the era: “I Think She Likes Me.” In my defense, information about bands was fairly difficult to come by at that point in time, especially for those … Continue reading College Countdown: 90FM’s Top 90 of 1995, 10

From the Archive: Rudy

It’s college football season now, right? So I suppose it’s time to dust this one off. Given the timing of the film’s release (late 1993), this would have been written as a “Reel Thing Report,” the two-minute segments that were aired a couple times a day after my colleague and I decided to retire the weekly show. I didn’t recall we’d kept them going as long into the fall that year, but here’s the proof we did. One of the unfortunate things about many sports movies is the way filmmakers drain all of the natural excitement out of the individual … Continue reading From the Archive: Rudy

One for Friday: Rainy Day, “Sloop John B”

I was recently remind of one of the great pleasures of my bygone days: sitting around with friends and listening to records. When I showed up at the campus radio station way back in the late nineteen-eighties, CDs were fast emerging as the preferred format, in part because of cleaner sound quality but also because the execs in the music business figured out that could sell them at a far greater profit than records, perpetrating yet fleecing of their devoted consumers that stands as the defining quality of the industry as a whole. For most of staffing the radio station at the time, … Continue reading One for Friday: Rainy Day, “Sloop John B”

Top Fifty Films of the 40s — Number Nineteen

#19 — Gaslight (George Cukor, 1944) To describe something as a “revelation” is entirely overused in criticism. I get that. I try to avoid the term (though I’ll admit that a quick search of the content of this very page attests that it shows up plenty). There are instances, though, in which it is the most fitting descriptor for my reaction. For me, Ingrid Bergman’s performance in Gaslight is revelatory. Before viewing it, I had plenty of respect for Bergman’s abilities as an actress, though I likely wouldn’t have held her up as someone who demonstrated the remarkable level of range a … Continue reading Top Fifty Films of the 40s — Number Nineteen