Top 40 Smash Taps: “I’ll Try Anything”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. The performer born Mary Isobel Catherine Bernadette O’Brien released her first solo recording in late 1963. She took a stage name derived from a childhood nickname bestowed upon her because of tomboy tendencies that often led to her coming home covered in dirt. Her new last name came from a folk trio she was in with Tom and Reshad Feild called the Springfields. … Continue reading Top 40 Smash Taps: “I’ll Try Anything”

College Countdown: Rockpool’s Top 20 College Radio Albums, November 1988, 16

16. The Dream Syndicate, Ghost Stories As the title implies, Ghost Stories is a fairly gloomy record, at least lyrically. That surely stems from the uncertainty the Dream Syndicate endured on the road to their fourth studio album. Each of their three previous full-lengths had been on a different label, and they had gone through at least one aborted break-up precipitated by the heavy disappointment over their music business struggles. If other bands sometimes filter their own discontent to forecast the imminent demise of the group on what proves to be their final album, the Dream Syndicate wrapped up their … Continue reading College Countdown: Rockpool’s Top 20 College Radio Albums, November 1988, 16

From the Archive: Necessary Roughness

I have very little to add to this beyond the staple amazement at some of the remarkably forgettable films we needed to sit through in the name of creating a weekly radio show. I do also find it interesting that I listed so many cast members without noting the presence of Kathy Ireland, the frequently bikini-clad supermodel whose presence in a co-starring role was used a major selling point for the film. It appears this was the final credit of director Stan Dragoti. Though he had an early surprise hit with Mr. Mom, it’s surprising that his career didn’t come … Continue reading From the Archive: Necessary Roughness

Allen, Assonitis, Korda, Stromberg, Tetzlaff

Maleficent (Robert Stromberg, 2014). This piece of fairy tale revisionism might be more affecting if it didn’t arrive on the heels of the same studio’s Frozen, which pulled off basically the same switcheroo (including the subversion of the “true love’s kiss” trope) with more spirit. Judging from what’s onscreen, not much thought went into this project after the dream casting of Angelina Jolie was secured. The certainty that her presence as one of the most iconic villains in the annals of Disney Animated Classics would be enough to make the film compelling comes tantalizing close to becoming a proven truth. … Continue reading Allen, Assonitis, Korda, Stromberg, Tetzlaff