From the Archive: The Cutting Edge and Straight Talk

This might be a good place to acknowledge that I was dead wrong in my presumptive assessment of The Babe as one of the more interesting movies of the spring of 1992. The Player is great (that’s the film I was really pining for). Unfortunately, it took long enough to get to our town that it arrived on the same weekend as Batman Returns, which played to full houses while Robert Altman’s masterful film sold a couple tickets per showing. I don’t have much to add about the two films reviewed. Even in the capsules here, it’s clear I didn’t … Continue reading From the Archive: The Cutting Edge and Straight Talk

One for Friday: The dB’s, “Working for Somebody Else”

I’ve long been under the impression that I’m not supposed to like The Sound of Music, the last album credited to the dB’s during their original run. (Reunions happen.) In the canon of cool, the first dB’s album justly holds an honored place with every subsequent effort a dissipating echo. Certainly declaring allegiance to one of the albums recorded after band co-founder and stellar pop songwriter Chris Stamey is highly suspect. And yet the record that has the strongest nostalgic pull for me is not the masterful Stands for Decibels. It is indeed that final album. It is The Sound … Continue reading One for Friday: The dB’s, “Working for Somebody Else”

Top Fifty Films of the 50s — Number Thirty-One

#31 — The Night of the Hunter (Charles Laughton, 1955) The Night of the Hunter is famously the only film directed by esteemed character actor Charles Laughton. I’ve also seen it cited more than once as the finest film ever directed by someone whose main gig was on the other side of the camera. It’s absolutely one of the most striking and distinctive such efforts, especially for its time. In adapting the bestselling novel by Davis Grubb, first published in 1953, Laughton and his collaborators made a grim, expressionistic work, one that veered away from the growing trend towards tenderized … Continue reading Top Fifty Films of the 50s — Number Thirty-One

From the Archive: Point Break

Much as I’ve admired Kathryn Bigelow’s recent and somewhat sudden escalation to the upper ranks of “important” modern filmmakers–the two films responsible for the shift are both formidable works–I still struggle with the cognitive dissonance of the director of Point Break as an exalted Oscar-winner. That’s how much I disliked that film, an ire that’s only grown over the years as plenty of people have cited it as a willfully dumb pleasure. Despite what it might seem like, I can get behind grandly, deliberately dopey summer popcorn fare, old or new, but I’ve never understood the affection for this particular … Continue reading From the Archive: Point Break

One for Friday: Concrete Blonde, “Little Conversations”

It’s now been twenty-five years since my first summer at the college radio station. That whole first year had a major impact on me, but there was something different–something deeply transformational–about the first summer. For one thing, I was now on the people in charge. I’d been on the executive staff the spring before, though in a fairly low-level position. Now I was the Program Director, effectively second-in-command on the staff, carrying responsibilities that encompassed everything that crossed the airwaves. For another thing, we were able to devote ourselves fully and completely to the operations of the radio station, without … Continue reading One for Friday: Concrete Blonde, “Little Conversations”