One for Friday: Robyn Hitchcock, “One Long Pair of Eyes (Live at Cat’s Cradle Back Room)”

Like a lot of college radio kids, I was a fairly dedicated concertgoer for a time. I wasn’t one of those who jumped at nearly every opportunity, nor was I especially adventurous, hitting the clubs to hear bands I wasn’t all that familiar with (I will regret to the end of my days that I didn’t see Sleater-Kinney with the White Stripes opening up at a dinky club in Madison way back when). But I had a respectable number of torn tickets shoved into CD cases and record sleeves. That’s waned enough in the past several years that the first … Continue reading One for Friday: Robyn Hitchcock, “One Long Pair of Eyes (Live at Cat’s Cradle Back Room)”

My Writers: John Updike

Sometimes I don’t feel worthy as a reader, as if I haven’t earned the right to turn the pages. That’s admittedly entirely at odds with the impact that any writer would ever hope to have, making me feel guilty for even expressing it. Certainly, John Updike, a deeply devoted reader who contributed effusive, informed book reviews to The New Yorker for years, would probably be dismayed by me–by anyone–applying that sentiment to his work. And yet that’s exactly how I felt. It’s not that the language was too dense or flowery, curlicues of off-putting eloquence. Instead, it was the clean, … Continue reading My Writers: John Updike

From the Archive: Revenge of the Sith

Let’s begin by noting this: if I didn’t refer to The Empire Strikes Back as Star Wars Episode V: The Empire Strikes Back in 1980–and I assure you that I did not–then I’m sure as hell not going to start now with some miserable acquiescence to George Lucas’s cumbersome attempts to forever remind people that he has more interest in perpetuating brands than in creating films. Ahem. At the urging of students I was working with at the time, I signed up for a LiveJournal account in the summer of 2004. For ages, I had no real idea what to … Continue reading From the Archive: Revenge of the Sith

One for Friday: Paul Kelly and the Messengers, “Dumb Things”

Though it may seem quaint now that we exist in an era where it’s widely understood that bands and performers toiling on the lower rungs of the fame ladder should exploit every revenue possibility that comes their way, there was a time when it was surprising to hear a song from a favored artist at our station used in a more commercial venture. Now actual commercials didn’t happen too often, but John Hughes had spent much of the nineteen-eighties teaching his fellow filmmakers to look to the left end of the radio dial to find low-cost options to fill out … Continue reading One for Friday: Paul Kelly and the Messengers, “Dumb Things”

Twenty Performances, or Splitting Adams

As the banner above makes colorfully clear, this particular annual post is better-suited to make an appearance on Sunday, but that’s reserved for one of our beloved exercises in counting backwards. So instead, we’ll use it as a wrap-up to the extended retrospective on the best cinematic offerings of the calendar year not-so-recently completed. I’ve already rattled off my choices for the ten best films of the year, and here are the performances I’d celebrate if I had the privilege of filling out a nominating ballot issued to a member Academy of Motion Picture Arts and Sciences acting branch, ranked … Continue reading Twenty Performances, or Splitting Adams