64. Jane Jensen, Comic Book Whore I haven’t double-checked up and down the entire list, but I’m somewhat confident that Jane Jensen is the only performer on the chart who played a title role in a Troma Films release. In … Continue reading College Countdown: 90FM’s Top 90 of 1996, 64 and 63
It’s been a couple weeks since I provided an update on my doings at Spectrum Culture, which would usually mean a pile-up of links to share. For a variety of reasons, that’s not the case. Instead, I have only the … Continue reading Spectrum Check
When I started the “Top 40 Smash Taps” series of posts, it was largely to push myself to write about music that was unfamiliar to me. Without the prompts delivered by decades of Billboard data, I can’t imagine myself having cause to write about Donna Summer. And now here I am, writing about her a second time in the space of three days. Part of the pleasure of writing the “Smash Taps” posts comes in discovering odd little details about the modern history of music that were previously outside my ken. For example, I was pretty fervently devoted to all … Continue reading One for Friday: Donna Summer, “Protection”
#30 — Alphaville (Jean-Luc Godard, 1965) “Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.” These are the words … Continue reading Top Fifty Films of the 60s — Number Thirty
These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. If there’s any doubt whatsoever that Donna Summer was the queen of the disco era, consider the following: in 1978 and 1979, Summer had three consecutive double albums top the Billboard chart, the first artist to accomplish that feat, and placed four separate singles atop the Hot 100, including a duet with Barbra Streisand (amazingly, “Last Dance,” practically the official anthem of disco … Continue reading Top 40 Smash Taps: “Who Do You Think You’re Foolin’”
Sabotage (Alfred Hitchcock, 1936). My instinct is to refer to this as an early Alfred Hitchcock film, but he was a decade and almost two dozen films into his career by this point. What’s more, this was released the year after The 39 Steps, so while Hitchcock may not have been The Master yet, he was a seasoned, skilled and respected filmmaker already. This was toward the end of the run of his British-made films, and there’s a certain added restraint–even somewhat pedestrian quality–to the narrative about a terrorist group staging bombings around London. It notably adheres to all of … Continue reading Cianfrance, Hitchcock, Levine, Sonnenfeld, Zinnemann
In many respects, Frances Ha is a perfectly logical follow-up to Noah Baumbach’s 2010 film, Greenberg. Putting aside observations about the newer film’s sense of hope being gradually thwarted that makes it feel like the cautionary prequel to the earlier … Continue reading These things I know, they come and go like laughing
66. The Cardigans, The First Band on the Moon First Band on the Moon was the third album released by the Swedish pop band the Cardigans, but for most U.S. listeners, it was the first one that registered. That was … Continue reading College Countdown: 90FM’s Top 90 of 1996, 66 and 65
I missed posting yesterday, but for good reason. Honest. I endeavor to have something new up here every day, but since I’m the one who’s ultimately in charge of that decision, I’m going to hit the pause button briefly. I’ll … Continue reading Pause Button
I read a lot of comic books as a kid. This series of posts is about the comics I read, and, occasionally, the comics that I should have read. Though I first started buying superhero comic books at the very … Continue reading My Misspent Youth: The Amazing Spider-Man #25 by Stan Lee and Steve Ditko
