Top 40 Smash Taps: “Love Me Tender”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. Percy Sledge had as strong of a start as any new recording artist could hope for. He was working in an Alabama hospital while touring with a music group on the weekends in the mid-nineteen-sixties when a friend introduced him to DJ-turned-producer Quin Ivy, who helped get him signed to a recording contract. The very first product of that, issued on Atlantic Records … Continue reading Top 40 Smash Taps: “Love Me Tender”

College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, 20 and 19

20. “All I Wanted” by In Tua Nua I have only the vaguest recollections of this song being played at my college radio station in the fall of 1988, and believe me when I maintain that an awful lot of my recreational time that fall was spent with a fellow who would have been especially partial to a band led by a pretty Irish singer. The song is certainly lodged deep in my brain, though, so it was probably getting some spins from us back then. Even at the time, In Tua Nua was probably best known for their tangential … Continue reading College Countdown: First Billboard Top 20 Modern Rock Tracks, Fall 1988, 20 and 19

Spectrum Check

After a customary end-of-the-year rest, the Spectrum Culture site returned with a spiffy new redesign this week. It was fairly low-content for the first week back, so my contributions were limited to pitching in on a couple of lists. First, I wrote on the latest Black Keys albums for our collection of the “honorable mentions” when it came to the best albums of last year. Besides that, the site has an annual tradition–in keeping with the features built around assessing older albums and films with fresh eyes–of kicking off the new year by looking back to the best pop culture … Continue reading Spectrum Check

One for Friday: Royal Crescent Mob, “5 More Minutes”

College rock in the nineteen-eighties was full of bands that provided a sonic echo of the jangly R.E.M. sound and the nineties was dominated by groups emulating the sludgy assault that was forged by Mudhoney, perfected by Nirvana and turned into a slicked up commodity by Pearl Jam. Those styles were so dominant that it’s easy to forget that there were other bands that were inspiring adherents, including a few fairly unlikely ones. Legend has it that a tour through the Midwest undertaken by the Red Hot Chili Peppers in the mid-eighties is what led to the formation of the … Continue reading One for Friday: Royal Crescent Mob, “5 More Minutes”

Top Fifty Films of the 70s — An Introduction

And thus our recurring exercise in nostalgic evaluation takes a turn into especially tricky territory. In tracking through my picks for the best films of the the first ten years of the 2000s, then the nineteen-nineties and the nineteen-eighties, I was always considering time frames with which I had at least some level of personal connection concurrent with their actual occurrence. Sure, I was awfully young when the eighties began, but those were hugely formative years as I matured with the movies, for good or ill, as one of my primary influences. If I’d conceived of a top fifty in … Continue reading Top Fifty Films of the 70s — An Introduction

So far from the ordinary things I once knew while I wait for the chance to tell you what is true

It’s always a unique disappointment to see an excellent performance shellacked into the misery of a bad movie. In the new film My Week with Marilyn, Michelle Williams is consistently sensational as Marilyn Monroe. She’s charged with not only playing … Continue reading So far from the ordinary things I once knew while I wait for the chance to tell you what is true