One for Friday: The Get Up Kids, “Ten Minutes”

The term “emo” meant nothing to me when I bought the album Something To Write Home About by the Get Up Kids. At the time, I was just detached enough from the ever-undulating music fandom community that I didn’t realize the way that music starting to get carved into smaller and smaller categories and subsets. As maligned as the term “alternative music” was back in my college radio days, at least it stood for an admirable breadth and depth of music. It had equal amounts of room allotted for the pile-driving, metallic rock outrageousness of The Cult, the dance floor … Continue reading One for Friday: The Get Up Kids, “Ten Minutes”

Top 40 Smash Taps: “Me and Bobby McGee”

These posts are about the songs that can accurately claim to crossed the key line of chart success, becoming Top 40 hits on Billboard, but just barely. Every song featured in this series peaked at number 40. By the time Janis Joplin’s famed version of “Me and Bobby McGee” was released, the song had already been recorded by Roger Miller, Kenny Rogers and the First Edition, Ramblin’ Jack Elliott, Gordon Lightfoot, original songwriter Kris Kristofferson, Bill Haley and the Comets and Sam the Sham. And that was all in the year-and-a-half span after Miller’s initial recording of the song was … Continue reading Top 40 Smash Taps: “Me and Bobby McGee”

Spectrum Check

It felt like I had a far busier week with Spectrum than I actually did, but I know it’s because I was also scrambling to get ready for everything that needs to be written in the week ahead. In terms of what went up, my output was fairly modest. I had a new film review up, evaluating a documentary that managed to provide a breakneck recap of the evolution of the New York City club scene before segueing into a true crime story with unexpected doses of lurid elements. It’s one of those documentaries that can succeed by simply telling … Continue reading Spectrum Check

One for Friday: The Candy Skins, “She Blew Me Away”

I find band names fascinating, especially considering the ways they can evolve over time to just feel like second nature. R.E.M. and U2 probably sounded a little odd at first, but they eventually developed natural associations with the bands and, in these instances, their distinctive sounds. I don’t even think about the other meaning of, say, the Jesus and Mary Chain. I also find it interesting when a band’s name can somehow completely convey the sound that’s going to be found on their records. Maybe I’m applying too much of the knowledge I already have rattling around in the record … Continue reading One for Friday: The Candy Skins, “She Blew Me Away”