One for Friday: Debbie Harry, “Liar Liar”

Part of the job of the Music Director at the college radio station during my days as a student was providing brief reviews of all the new releases. These upper left hand were handwritten onto little labels, approximately three inches by half-an-inch, that were then affixed to the upper left corner of the album cover. The limited space necessitated extreme brevity in the reviews (except for a couple of Music Directors I can think of who had remarkably compact handwriting that was also so legible it looked like it was produced by a special typewriter) making it sort of the … Continue reading One for Friday: Debbie Harry, “Liar Liar”

Twenty Performances, or If I Had a Ballot

My standing tradition is to post this little exercise is Oscar wishcasting on the day of the actual ceremony. I don’t want to preempt the recurring feature that resides on that day (especially since one of the two albums featured this week is a big personal favorite), so we’ll jump the gun a bit. It’s not like there’s some hallowed sanctity to the timing of this, after all. Having made my opinion on the best films of the cinematic year 2010 abundantly clear over the course of the past few weeks, I want to turn my attention to the other … Continue reading Twenty Performances, or If I Had a Ballot

Spectrum Check

I’ve had a little more modest output over at Spectrum Culture the past couple of weeks. I reviewed a Russian film called How I Ended This Summer about a burgeoning conflict between a couple of technicians at a remote weather station. Unfortunately, the frigid terrain they moved through looked a little too much like what was outside of our Carolina windows at the time. Luckily, that’s changed. Then this past week, I tapped into that distant part of me that stared down the copy of Dry that we received at the campus radio station nearly twenty years ago and tried … Continue reading Spectrum Check

One for Friday: Mel Tormé and George Shearing, “I’m Hip”

In writing about my time at the college radio station, I focus almost exclusively on my interactions with the music piled into the library that lined the walls of our main studio. All those records and CDs contained of wealth of music that we called modern rock before begrudgingly starting to call it alternative. While WWSP 90FM had and has, to its credit, a stronger focus than most college radio stations, there was a significant amount of programming centered on different styles of music than that which topped the college charts. There were programs that made weekly forays into blues, … Continue reading One for Friday: Mel Tormé and George Shearing, “I’m Hip”