College Countdown: 90FM’s Top 90 of 1989, An Introduction

In the summer of 1989, I had a goofy idea. It was the end of June, half the year gone. I was in my office at the campus radio station, having just called CMJ to report our weekly Top 35 list of albums receiving the most airplay. I retrieved the file folder that had all the charts from previous weeks and prepared to add this latest sheet to its contents. Instead, I emptied the folder onto my desk and started playing around. When I was a kid, I loved countdown shows, whether on the radio or on television, and I … Continue reading College Countdown: 90FM’s Top 90 of 1989, An Introduction

One for Friday: Dramarama, “Last Cigarette”

Usually a song appears in this space because I have some cause or desire to expound upon it at length. More accurately, I suppose, I have an old, nostalgic story to tell, a dusty nugget from the corners of my shady memory that may provide some amusing insight into my affection for the song or may simply be a bunch of words that people have to scroll past looking for the hyperlink that will take them to the uploaded MP3. I’m guessing it’s usually the latter. Regardless, I don’t really have any stories about Dramarama’s “Last Cigarette.” I know that … Continue reading One for Friday: Dramarama, “Last Cigarette”

Spellbound an’ swallowed ’til the tolling ended, tolling for the aching ones whose wounds cannot be nursed

It takes no time at all for Restrepo to establish itself as a completely different breed of war documentary. The film follows an American platoon that’s been dispatched to Afghanistan’s Korengal Valley, an area so fraught with danger that it’s … Continue reading Spellbound an’ swallowed ’til the tolling ended, tolling for the aching ones whose wounds cannot be nursed

Acker, Cronenberg, Denis, Heckerling, Sturges

Clueless (Amy Heckerling, 1995). I’m prepared to concede that Heckerling’s gum-snap reworking of Jane Austen’s Emma is better than I would have said after seeing it upon its original release. It’s also, despite its reputation, not some glistening pop gem. It’s an agreeable bit of fluff with some charming moments, and a suitably bright performance from Alicia Silverstone, who’s more a beneficiary of shrewd casting than anything. Writer-director Amy Heckerling–here fresh from a couple dippy crowdpleasers about the inner monologues of babies, let’s not forget–is a sloppy, unfocused filmmaker. Just because her attention span may sync up with those of … Continue reading Acker, Cronenberg, Denis, Heckerling, Sturges

Benedek, Lang, Morris, Scorsese, Wilder

Standard Operating Procedure (Errol Morris, 2008). The Oscar-winning documentarian turns his attention (and his Interrotron) to the appalling abuse of prisoners inflicted by American soldiers at Abu Ghraib prison. The resulting film is exhaustive and exhausting, laying out the ugly details of the matter with an appropriate relentlessness. Morris corrals interviews with most of the principals, and their collective testimony seems painfully honest if sometimes buffered down in the name of understandable self-preservation. Morris inserts a handful of subdued and yet entirely unnecessary recreations. It’s a tactic that he’s notably employed before, but this time out it’s just intrusive. The … Continue reading Benedek, Lang, Morris, Scorsese, Wilder

Great Moments in Literature

“‘But Grandma never said anything about how the places might make you feel. She wasn’t a talker, especially not about things like that. When she did talk, it was to tell you how to do something, or to tell you something that had happened before you were born, or to remind you how to act right. She had strict ideas about acting right. She wouldn’t touch you much either. What she liked to touch were woods things, things that came out of the ground. But even without the talking, she taught me to let into my insides the real of … Continue reading Great Moments in Literature