Category: Film

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Top Ten Movies of 2016 — Number Eight

Dan Seeger

The impulse to belong is powerful, especially for girls of a certain age. In The Fits, the feature directorial debut of Anna Rose Holmer, the girl trying to find her place in the world is Toni (Royalty Hightower). She regularly accompanies her brother (Da’Sean Minor) to the local community center, where he trains as a boxer. Toni half-heartedly participates in that brutish gym work until she spies the workouts of a dance troupe in an adjacent gym. Shortly after she falls in with that group, individual girls on the squad start falling victim to unexplained, seizure-like attacks, each a little … Continue reading Top Ten Movies of 2016 — Number Eight

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Top Ten Movies of 2016 — Number Nine

Dan Seeger

There are movies that I love unreservedly, quoting them with the hopped-up reverence of a devoted Bible thumper. 13th is a movie that I wield. Since viewing Ava DuVernay’s exceptional documentary on — for starters — the perpetuation of black persecution through the establishment of a skewed judicial system and incarceration complex, I find myself continually referencing it in spirited debates about current affairs. I have operated in multiculturally mindful academia and engaged with leftward political commentary enough to be comfortably acquainted with notions of institutionalized oppression, so there’s little in 13th that is fully revelatory to me. But I … Continue reading Top Ten Movies of 2016 — Number Nine

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John Hurt, 1940 – 2017

Dan Seeger

“When I say that acting is just a rather more sophisticated way of playing cowboys and Indians, it’s my way of trying to quash all the pretentious crap that’s said about acting. What I mean is, if you pretend well enough, the audience will believe you.” –John Hurt, 1990, as quoted in The New York Times I can’t honestly say that John Hurt was ever an actor whose films I actively sought out solely because of his presence. On some level, I think that might have pleased him. There was a proper retreat from ostentation in Hurt’s work. He never … Continue reading John Hurt, 1940 – 2017

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From the Archive: Pride & Prejudice

Dan Seeger

This was written fairly early in my return to movie reviews, when I was finally figuring out how to make reasonable use out these online tundras. When adapting a Jane Austen novel such as Pride & Prejudice, it must be sorely tempting to try every conceivable trick to make it visually engaging. This sort of period piece from the Approved Canon of Great Literature is especially prone to becoming the sort of staid veddy, veddy English film that Eddie Izzard once identified as “a room with a view with a staircase and a pond type movies.” (“What is it, Sebastian? … Continue reading From the Archive: Pride & Prejudice

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Top Ten Movies of 2016 — Number Ten

Dan Seeger

There is a splendid modesty to The Witch, the feature debut from writer-director Robert Eggers. Positioned with false comfort as “A New-England Fable,” the film progresses with a stern leanness, as if its a spiritual sequel to Meek’s Cutoff, Kelly Reichardt’s saga of tragic pioneers. Set in the seventeenth century, The Witch covers the hardships of a family struggling to make do out in the rural outskirts after being cast out of their community. The tension increases when the family’s infant goes missing while being looked after by eldest daughter Thomasin (marvelous newcomer Anya Taylor-Joy), a vanishing that happens in … Continue reading Top Ten Movies of 2016 — Number Ten

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Top Ten Movies of 2016 — An Introduction

Dan Seeger

We can say this: 2016 was memorable. Aside from a history-making improbability delivered by the Chicago National League ball club in the fall, though, I’m confident most folks are going to look back at the those twelve months of broader global culture — popular, political, and social — with a measure of contempt. The only way 2016 doesn’t stand as a banner year for misery, is if 2017 is even worse. So far, it’s on track. A year so thoroughly scorched by overwhelmingly miserable news can make the very act of retrospective celebration feel hollow and pointless. And yet here we are. As … Continue reading Top Ten Movies of 2016 — An Introduction

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Now Playing: 20th Century Women

Dan Seeger

20th Century Women, the third feature from director Mike Mills, raids his own history in compelling fashion. He has employed this creative tactic before. Though Mills earned some praise for his debut, Thumbsucker, it was his sophomore effort, Beginners, that stirred more effusive plaudits on the way to securing an Academy Award for Christopher Plummer. The latter effort was heavily autobiographical, drawn from Mills’s experience with a father who came out of the closet late in life. 20th Century Women turns its attention to the other figure that looms above Mills on the family tree. Set in 1979, the film follows Jamie (Lucas … Continue reading Now Playing: 20th Century Women

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From the Archive: Little Man Tate

Dan Seeger

Because today I want to this space to feature a film directed by a bad-ass woman. This was written for our weekly movie review radio show in the fall of 1991, which was a helluva year for Jodie Foster. Thankfully, she was duly awarded for her accomplishments. It’s pretty easy to figure out what attracted Jodie Foster to Scott Frank’s screenplay Little Man Tate, the story of a youngster with pronounced talent who’s showered with attention because of that gift, and who has a deep, special bond with mother. It sounds remarkably like the story of Little Woman Foster, the … Continue reading From the Archive: Little Man Tate

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Now Playing: Elle

Dan Seeger

Though I’m going to go ahead and follow my usual practice of typing out a bunch of words, I think the ideal way to evaluate the new film Elle is with an artfully constructed infographic. This helpful guide would take individual moments from the film and measure whether their inner being is guided more by the aura of French cinema or by the ruddy instincts of director Paul Verhoeven. The scene in which a woman confronts the new, young lover of her ex-husband and the two of them conclude that, with the tension of an initial encounter out of the … Continue reading Now Playing: Elle