I haven’t done the math, but I’d confidently wager that there’s no other director about whom I’ve written more often and more enthusiastically than Martin Scorsese. The movie review radio program I co-hosted and co-produced debuted in the fall of … Continue reading From the Archive: The Departed
Hidden Figures is just good enough that I wish it were better. The film, fictionalized from Margot Lee Shetterly’s recently released history book of the same name, digs into the sadly under-shared story of the African-American women who were centrally involved in the monumentally difficulty scientific and mathematic work that drove the U.S. space program in the nineteen-sixties. In a way, it’s satisfying that the film is stodgily constructed and strangely facile in its examination of how the obvious talents of these women needed to scramble around the confining, casually bigoted norms of the era. In the field of Hollywood … Continue reading Now Playing: Hidden Figures
No (Pablo Larraín, 2012). In Chile in the late nineteen-eighties, the dictatorial government of General Augusto Pinochet orchestrated a public vote to give the populace a chance to weigh in on whether or not they’d maintain control for another eight years after a decade-and-a-half of bludgeoning rule. With various systems under tight control and the people largely cowed by governmental forces, it was expected to be a mere formality on the way to maintaining continuity, a show of phony democracy to appease the international community. Instead, Pinochet was ousted. In this consideration by screenwriter Pedro Peirano and director Pablo Larraín, the … Continue reading Larraín, Lubitsch, Riley, Snyder, Sollett
I’m among those who try to avoid the term “guilty pleasure,” but there are times when it absolutely applies. This observation brings us straight to The Temp, one of the rare movies of my college radio reviewing tenure that I reported my viewpoint with a degree of sheepishness. But I also stand by this review. It’s been ages since I’ve seen it, but I know I had a blast watching this every time I stumbled upon a cable TV showing. Director Tom Holland has always approached his horror films with a certain cheekiness. Fright Night was a terrific vampire film … Continue reading From the Archive: The Temp
“I once wrote this short story called ‘The Best Blues Singer in the World,’ and it went like this —’The streets that Balboa walked were his own private ocean, and Balboa was drowning.’ End of story. That says it all. Nothing else to say. I’ve been rewriting that same story over and over again. All my plays are rewriting that same story.” That quote is drawn from a Paris Review interview with August Wilson, published in 1999. As Wilson suggests, the single sentence short story does a better job than any plot recap ever could of describing what’s happening in … Continue reading Now Playing: Fences
The Gift (Joel Edgerton, 2015). I find it amusing and even endearing that Joel Edgerton bypassed any potential inclinations to establish himself as a serious cinematic artist with his feature directorial debut and instead crafted a lurid little thriller not unlike those that routinely slunk into cineplexes throughout the nineteen-nineties. In The Gift, Simon (Jason Bateman) and Robyn (Rebecca Hall) move to Southern California because the former has taken a new job. While shopping for their new home, Simon and Rebecca bump into Gordo (Edgerton), an acquaintance from Simon’s high school days. Gordo insinuates himself into their lives — including … Continue reading Edgerton, Holmer, Kriegman and Steinberg, Moore, Øvredal
Recent weeks have seen an online avalanche of top ten lists from movie critics of all stripes. I live in the frigid north, however, and it takes certain cinematic offerings a little longer to fight their way through the sleet and … Continue reading From the Archive: Top Ten Movies of 2006
Hardly a grizzled old soul at the age of thirty-five, Natalie Portman has nonetheless been working in film long enough — over twenty years — to have distinctive phases of her career. Without being precise about the timing of each shift (though I certainly could for anyone foolhardy and masochistic enough to ask me to), I’d say she’s already gone from child actor to precocious ingenue to adult actor. Presumptive as it might be to make too bold a declaration on the basis of a single performance, the new film Jackie could very mark the beginning of a convincing transformation into … Continue reading Now Playing: Jackie
Generationally, my appreciation for Carrie Fisher is supposed to begin with Star Wars. Only her second feature film appearance, following a sharp debut in Hal Ashby’s Shampoo, her turn as Princess Leia Organa in George Lucas’s space saga earned her a permanent place in pop culture history. To the degree that I even thought about such things at the time, Fisher’s performance seemed a little perfunctory in Star Wars, filling out the damsel in distress role that Lucas simplistically typed out. Looking back now, with the helpful illumination of another few decades of Fisher’s spectacularly unguarded public persona, her performance … Continue reading Carrie Fisher, 1956 – 2016
Damien Chazelle wastes no time in establishing exactly what kind of movie he aims to deliver with La La Land. As opposed to many other modern screen musicals that are coy about their commitment to the genre, Chazelle’s film opens with a full-scale number staged in the midst of a Los Angeles traffic jam, blue sky above and pavement below. There’s no freeing cut to a soundstage or winking implication that the narrative is dipping into a character’s rousing imagination. Instead, there’s a fleet of performers adorned in bright colors singing and dancing and staring right at the audience with feral confidence. … Continue reading Now Playing: La La Land
Coffee for Two 